Natasha Fenkina

Russia is at the dawn of great changes and the fate of a young man, Pyotr Cherkasov, who was forced to sacrifice his personal happiness to save the Motherland. In the center of events are bright and interesting characters, whose personal life history is woven into the history of European life. The interweaving of love lines, betrayal, jealousy, intrigue, exposing the enemies of Russia and the world order. Napoleon Bonaparte hatches plans to take over all of Europe. One of the most terrible wars in national history is approaching. In the meantime, the Russian people live in peace and ignorance. With the arrival of Prince Kuragin, the life of Peter changes forever. Emperor Paul I needs the best people to help Russia unravel Napoleon's insidious plans, and Kuragin, seeing Cherkasov's talents, invites him to go to St. Petersburg for military service. Cherkasov agrees, and now his life belongs to the Motherland.

1942. Young men, graduates of a reconnaissance school, develop and carry out extremely complex operations behind enemy lines.

Directed and written by Yuliana Zakrevskaya, the show follows a zoopsychologist who becomes a murder suspect and must form a connection with a mysterious girl to prove his innocence.

Married television editor Sonia meets and begins a passionate affair with Russian translator André. However, they soon part ways as he decides to return to his family in Paris.

The plot is not developed; in the film we see a man (he) and a woman (she) who, in fact, are neither connected nor familiar with each other; they casually met in hospital. "She" (Viktoria Tolstoganova) does not see that she is in danger in connection with her plan to use a tape with illegally made recordings as compromising evidence in court. "He" (Il'ia Shakunov, an actor of the Petersburg TYuZ) is a gay translator who, after the random meeting with her, is pursued by her image which frequently pops up in front of him. As a consequence, his relationship with a young boy no longer satisfies him. Both he and she lose sight of the meaning of life, because of their own inability to see others and to see love, as perception relies on proximity instead of distance.