Jorge Grau

King of Horror, legendary actor, scriptwriter and director, Paul Naschy is regarded as the Spanish Lon Chaney and the most prolific filmmaker dedicated to the fantastic cinema in Spain.

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

Hour-long documentary about distinctive-looking Spanish character actor Víctor Israel.

Diego, an Argentine doctor traumatized by the soccer since his childhood, is not satisfied with his life. Javi is a representative of kids who start playing soccer, a Spanish third division manager who dreams of an opportunity to change their fate. Suddenly, the discovery of a young Argentinian star, will join Diego and Javi in a common adventure, full of surprises and and picaresque.

Actor and writer Mark Gatiss embarks on a chilling journey through European horror cinema, from the silent nightmares of German Expressionism in the 1920s to the Belgian lesbian vampires in the 1970s, from the black-gloved killers of Italian bloody giallo cinema to the ghosts of the Spanish Civil War, and finally reveals how Europe's turbulent 20th century forged its ground-breaking horror tradition.

A walk through the golden age of Spanish exploitation cinema, from the sixties to the eighties; a low-budget cinema and great popular acceptance that exploited cinematographic fashions: westerns, horror movies, erotic comedies and thrillers about petty criminals.

A feature-length documentary exploring the history of the Spanish zombie film.

While conducting interviews with women working in local brothels, Fernando, a journalist, meets Elisa. The woman will tell him her dramatic story, which begins at age 14 when she is raped by her godfather.

Pamplona, 1975: Dr. Navarro, a famous doctor in the city, feels strongly attracted to Juana, his nurse, who is also in love with the doctor. Navarro, however, moved by his strong religious convictions (in fact, he is a numerary member of Opus Dei) remains faithful to his wife and tries by all means to prevent that their relations with Juana break through professional boundaries. For the purpose of that, he orders the nurse will sent to another hospital. This will push Juana to take the initiative and provoke the doctor during San Fermines.

An overview of the history of fantasy and horror cinema from the 1960s to the present day. Co-productions, the financing system, the Matesa case, the Miró Law, and the “back-to-back” system are some of the topics discussed firsthand by those involved.

This is the first and only feature-length documentary on the life and cinema of the late Jorge Grau, who is most famous for his classic social-political horror masterpiece "Living Dead at Manchester Morgue" (1974), seen by some critics as a fierce critique of the Franco government albeit set in a displaced foreign locale.

"El Florido Pensil" is a humorous reflection of the education of several generations of Spaniards from the 1940s to the 1960s. Based on the book of the same name by Andrés Sopeña, it evokes, from the present, his memories of that time: everyday school, local radio, Roberto Alcázar's comics, Thursday cinema with Franco opening swamps and "Yon Güein" chasing and killing Indians. Through the childish eyes of a child Sopeña (Daniel Rubio) and his schoolmates, we discover a way of understanding the world, society and a Spain "of glories and flowery pensil", as the national anthem of those years used to sing.

Cimera de los Infantes, Castile, Spain. The young men who meet every day in the bar La Rana Verde are bored because they barely have fun, so they decide to seduce the girls who attend a summer course in the historic castle of the town.

Eurotika is a Channel 4 documentary film on European exploitation cinema. The documentary is similarly themed to Pete Tombs's book Immoral Tales: European Sex and Horror Movies 1956-1984. During the 1960s and 1970s, European low-budget films went kinky, emerging as a new type of cinema that blended eroticism, surrealism, horror, and over-the-top atmospherics.