Eri Ota

Tokyo Üniversitesi’nden birincilikle mezun olan ve Bayan Kampüs Grand Prix’sini kazanan Miki Takaraishi (Mirei Kiritani) her açıdan mükemmeldir. Siyasetçi bir aileden gelen Yuga Saito (Sho Kiyohara) tarafından kalbinin kırılması herkes için sürpriz olur. Ama genç kadın eski sevgilisinden intikam almanın yolunu bulmuştur: Başbakan olacaktır.

Starting in 1970s Hokkaido, the film charts the moral descent of Detective Moroboshi over three decades, the young cop quickly gets a bit too cozy with the other side of the law when his senior colleague Murai teaches him the ropes and ruts of the police business. Soon, he swaggers and rants through the streets of Sapporo a lean, mean, sex‐crazy bully, indistinguishable from a yakuza.

Rio is a high school student in Tokyo. Her mother tells her she will spend the summer in the countryside. There, she meets Ginzo. He is a high school student and handsome. They fall in love.

Professor Shiro Sakaki, a butterfly researcher, confesses to turning six young boys, including his own son Itaru, into "human specimens."

Tsugumi, who works at an interior design firm, has an unexpected encounter with her first love from high school, Itsuki, at a dinner with her client’s whole comp any, an architectural firm. Seeing Itsuki, who is a registered architect with a first-class license and is quite charming, brings back the faint memories from high school. In the middle of dinner, he quietly slips away and begins to head home, getting into a wheelchair. “You didn’t know? Itsuki was in an accident in college, and he can’t walk.” Tsugumi, her pulse racing, takes a step back and thinks to herself, “I can’t love someone in a wheelchair. It’s just not possible to date someone like that.” But when she accepts the reality of the situation and interacts with Itsuki, who struggles but fights to survive each day, she becomes overwhelmed with emotions that she has kept since her youth.