Virgínia Rosa

In childhood, Agrado meets João Raul during a radio contest in the countryside of Goiás. Like her, the boy dreams of becoming a singer, and the two decide to perform together a song composed by Agrado. However, unforeseen events separate them and lead to a misunderstanding that keeps them apart for many years. João Raul, now a major country music star, uses his social media platforms to search for Agrado, “the girl from his past,” who, unlike him, is still struggling to establish herself in the music industry.

In this romantic police comedy, after a luxury hotel is robbed by four of its employees, the lives of all people involved are turned upside down. With different motivations, they will do all they can not to be discovered, bringing all sorts of conflicts into the hotel. The confusion escalates when the detective trying to solve the case falls in love with one of the robbers, unaware he is one.

The plot tells the history and daily life of the Lemos Family between the 1920s and 1940s. Júlio works in a fabric store and has the ambition of getting rich to offer his family a good life. His wife, Lola, does everything she can to keep her family together, because she believes that this way they can move on.

While investigating the murder of two young men, reporter Caco Barcellos discovers a group of murderers in ROTA police squad who act with the approval of military justice.

During Brazil’s Carnaval, the country escapes the mundane in exuberant fashion: sexual freedom, elation, and ostentatious displays of art. But even the most joyous of celebrations cannot erase the cancer of femicide plaguing this country. Set to the backdrop of Carnaval, this series unlayers ten stories based on real events that reveal the cultural contradictions present in this “festive” country.

Vera, imprisoned at a military fortress during the dictatorship, 1969, get to know a soldier, Armando, who, in the face of torture, decides to take messages from Vera to his family and establishes an affective relationship with D. Maria, Vera’s mother. Despite the horrors of the time, the film works on this possibility of a dialogue between two lonely and lost human beings: a high-middle-class lady and a young southerner of rural origin. Today, Vera, aged 70, is a professor at the university, and debates with her students about politics, forgiveness and Hannah Arendt.