Barbara Harris

Lawrence (Michael Caine) nazik ve usta bir sosyete dolandırıcısı, Freddy (Steve Martin) ise sadece bir sahtekardır. Lawrence, Freddy deki sahtekarlık cevherini görünce onu kendinden uzaklaştırmaya çalışır fakat, Freddy yanından ayrılmaz. Bunun üzerin Lawrence hırsızlık ve dolandırıcılık konusunda Freddy'e ders vermeye başlar. Yalnız dersler ilerledikçe aralarında bir rekabet baş gösterir. En sonunda otelin lobisinde gördükleri bir bayanın 50.000 dolarını almak üzere bahse girerler.

43 yaşındaki bir anne ve evkadını olan Peggy (Kathleen Turner) boşanma ile karşı karşıyayken 'keşke herşeyi başa alabilsem' diye düşünüyor. Çünkü onun bugünlere gelmesini sağlayan olaylar dizisi aslında Peggy'nin mezuniyet balosuna yakın bir zamanlarda başlamıştır. Peggy Sue birdenbire kendini yeniden o günlerde buluyor ve bir mucize eseri ona verilen bu fırsatı değerlendirmeye çalışıyor.

Martin Blank (John Cusack) kendi başına çalışan bir kiralık katildir ama birden bire vicdanının sesini dinlemeye başlar. Aldığı işlerden biri onu büyüdüğü yer olan Grosse Pointe, Michigan'a gitmesini gerektirir; aynı zamanda geleneksel lise mezuniyet toplantısı da gerçekleşmektedir. Sekreteri ve psikiyatrı bu toplantıya katılmasında ısrarcı davranınca Blank, bu fikre bir anda sıcak bakar. Grosse Pointe'de yalnızca yıllardır yaptığı işi değil aynı zamanda geçmişini de sorgulamaya başlayacaktır.

Joan Tewkesbury’nin senaryosu, geri planda, asıl konuyla bağlantı kurmak derdinde olmadan politik bir hikâye atıveriyor ortaya, böylece Vietnam Savaşı’nda atılan yanlış adımların ve yozlaşmış Nixon hükümetinin gölgesindeki Amerika’nın kendisini yeniden keşfettiği süreçteki tekinsiz atmosferi solumamızı sağlıyor. Film, politik mevzunun gelişimi içinde, “Country Müziği ve Western” manzarasına en iyi bakışı sunuyor ve 1970’lerin, Amerika metaforunu bitirip tüketen son filmi olduğunu kanıtlıyor. Yayılıp giden, dağınık, benzersiz bir tarzda çekilen, öyküselliği olmayan film, müzisyenler, menejerler, politikacılar, reklamcılar ve müzikseverlerden oluşan 24 karakterin, Nashville’deki koşuşturmacalı beş gün boyunca yapıp ettiklerini enfes bir tarzda gözlüyor.

Mirasını bırakmak için kaybolan varisini bulmak isteyen yaşlı bir kadın farkında olmadan bir üçkâğıtçıyı ve sahtekâr bir medyumu kiralayınca, Alfred Hitchcock'un alaylı diliyle çekilmiş bu gizemli gerilim filminde işler garipleşmeye başlar. Bruce Dern ve Barbara Harris, yaşlı kadının uzun zamandır kayıp olan yeğenini (William Devane) arayan çifti canlandırıyor. Bu esnada yeğen rolündeki Devane ise güzel sevgilisi (Karen Black) ile fidye için zengin bir Yunan iş adamını kaçırıyor. Gerilim ve komediyi de beraberinde getiren sonu gelmeyen bir gizem, cinayet ve kargaşa...

13. Cuma günü, bir kız bağnaz annesiyle bedenini değiştirir ve kendini bütün evi yönetirken bulur. Bu sırada annesi de okuldaki korkutucu olaylarla yüzleşir, sınavlara girer, çim hokeyi oynar ve daha neler neler yaşar!

Respected liberal Senator Joe Tynan is asked to to lead the opposition to a Supreme Court appointment. It means losing an old friend and fudging principles to make the necessary deals, as well as further straining his already part-time family life. But it could be a big boost to his career, so he takes it on. Helping him prepare the case is pretty southern researcher Karen Traynor, and their developing relationship further complicates and compromises his life.

Başarılı ancak sinirli bir söz yazarı olan Georgie Soloway, orta yaş krizine sürüklenir. Aşk hayatındaki başarısızlıkların sorumlusunun gizemli Harry Kellerman olduğunu düşünür. Ailesi, arkadaşları ve psikiyatristi ona yardımcı olamaz. Babasının ölümcül bir hastalığa yakalanmasıyla Georgie, gerçek hayattan uzaklaşarak kişisel uçağıyla yalnız uçuşlara başlar.

When crooks set up operations in a traditional town, a minister and a group of church ladies are willing to do anything, no matter how wacky, to get them out.

Three movie genres of the 1930s, boxing films, WWI aviation dramas, and backstage Broadway musicals, are satirized using the same cast.

A sarcastic near-sighted cartoonist, averse to commitment, falls for a single mother of three — the only woman who can stand his strong anti-feminist opinions.

Film noir parody with a private eye trying to solve the murder of his milkman.

Film version of the Neil Simon play has three separate acts set in the same hotel suite in New York's Plaza Hotel with Walter Matthau in a triple role. In the first, Karen Nash tries to get her inattentive husband Sam's attention and help save their failing marriage. In the second, brash film producer Jesse Kiplinger tries to seduce his former one-time flame Muriel. In the third, Roy Hubley and his wife Norma try and persuade their daughter, a bride to-be with cold feet, out of the bathroom before her approaching wedding ceremony.

April has a problem. Whenever she gets anything like passionate with a guy all sorts of things seem to spontaneously combust. The only men she meets more then once are firefighters. Actually, it's Mom's way of trying to keep her little girl to herself, but new boyfriend Andy is having none of such nonsense. So the heat's on. Unfortunately it's Fluffy the cat who keeps getting caught in the middle.

Twelve-year-old Nick lives with his Uncle Murray, a Mr.Micawber-like Dickensian character who keeps hoping something won't turn up. What turns up is a social worker, who falls in love with Murray and a bit in love with Nick. As the child welfare people try to force Murray to become a conventional man (as the price they demand for allowing him to keep Nick), the nephew, who until now has gloried in his Uncle's iconoclastic approach to life, tries to play mediator. But when he succeeds, he is alarmed by the uncle's willingness to cave in to society in order to save the relationship.

A woman brings her son and husband to a tropical vacation spot for a little rest and relaxation. The only problem is that the husband has been dead for quite some time, and his wife had him stuffed and carries him everywhere with her. Complications ensue.

The golden age of the annual Tony Awards ceremony lasted from 1967 to 1986 — the period during which Alexander H. Cohen and his wife, Hildy Parks, were the producers of the show. This film offers a compilation of performances from Tony Award broadcasts during those years. They are presented with color-corrected footage and digitally re-mastered sound.

A boozy drifter tries to get to know the widow he married while on a bender.

Hosted by Cyril Ritchard, with performances by Florence Henderson, Barbara Harris, Stanley Holloway, John Cullum, Patricia McBride and Edward Villella. Songs include; On A Clear Day, The Heather On The Hill, Wait Till Were Sixty-Five, Wouldnt It Be Loverly?, Camelot, Why Cant A Woman Be More Like A Man?, How Could You Believe Me?, I Remember It Well, Without You, Gigi, Im Getting Married In The Morning, Hurry, Its Lovely Up Here, Melinda, On The S.S. Bernard Cohn, What Did I have That I Dont Have?, Ive Grown Accustomed To Her Face, Its Almost Like Being In Love, Bonnie Jean, Waltz At Maxims (She Is Not Thinking Of Me), I Could Have Danced All Night, On The Street Where You Live, and Come Back To Me.

Kathy Morrison (Harris), mother of three, who helps run a "color-blind" adoption program, wants to have another biological child. Her husband, Pete (Bologna), the head coach of the Phoenix Suns, finds out he can't produce another child. Kathy thinks about adopting a boy, Frederic "Freddie" Wilcox, and Pete does not want to adopt a boy who happens to be black. When he relents, Freddie's arrival causes an upheaval in the Morrison's neighborhood, their school, and family. Kathy's answer is to adopt another child, in this case two, a war-traumatized half-Vietnamese girl, Quan Tran, and a Hopi boy, Joe. The new extended family must now learn to live together.

Garry Trudeau's classic characters (Mike Doonesbury, Zonker, etc.) examine how their lifestyles, priorities, and concerns have changed since the end of their idealistic college days in the 1960s. Preserved by the Academy Film Archive in 2012.

The Antoinette Perry Award for Excellence in Theatre, more commonly known as a Tony Award, recognizes achievement in live Broadway theatre. The awards are presented by the American Theatre Wing and The Broadway League at an annual ceremony in New York City. The awards are given for Broadway productions and performances, and an award is given for regional theatre.

Naked City is a police drama series which aired from 1958 to 1963 on the ABC television network. It was inspired by the 1948 motion picture of the same name, and mimics its dramatic “semi-documentary” format. In 1997, the episode “Sweet Prince of Delancey Street” was ranked #93 on TV Guide’s “100 Greatest Episodes of All Time”.

The Defenders is an American courtroom drama series . It starred E. G. Marshall and Robert Reed as father-and-son defense attorneys who specialized in legally complex cases, with defendants such as neo-Nazis, conscientious objectors, civil rights demonstrators, a schoolteacher fired for being an atheist, an author accused of pornography, and a physician charged in a mercy killing.

Farklı geçmişlerden cinayetler, intiharlar, hırsızlıklar ve algılanan veya algılanamayan belirli motivasyonların neden olduğu diğer suç türlerine ilişkin suç, korku, drama ve komedi unsurlarını kapsayan ilgisiz kısa öyküler dizisi.

Professor Joe Howe is a Korean War veteran who is hired to teach English at Channing College. The dean Fred Baker is his mentor as Howe is writing a novel about his experiences. They are frequently involved in the student's lives. Channing, a production of Revue Studios, aired during the same time frame as the first season of NBC's somewhat similar offering, Mr. Novak.