Rimma Markova

Moskova'daki Karanlık ve Aydınlık arasında devam eden savaşta bir adam (Khabensky) bu iki büyük gücün herşeyle beraber tüm dünyayı da yok etmesini engelleyebilmek için uğraşmaktadır.

Film günümüz Moskovası'nda geçiyor. Her anlamda eşit güçlere sahip aydınlık güçlerle karanlık güçlerin mücadelesinde bir kazanan çıkmamış ve sonunda ateşkes ilan edilmiştir. Ateşkesin en önemli koşulu, bir tarafta yer alan bir kişinin zorla diğer tarafa geçirilmemesidir. Anlaşmanın denetlenmesi için Karanlık taraf gündüz, Aydınlık taraf ise gece nöbet tutacaktır. Bir gün Anton'un o kapının zilini çalmasıyla hersey değişir * Timur Bekmambetov 'un dünya sinemasında adının bilinmesini sağlayan filmlerden biri. Hatta Rus sinemasının Matrix'i deniyor film için

1994 yılı yapımı "Güneş Yanığı" adlı filmin devamı niteliğinde olan film, 2 ayrı bölüm olarak çekilmiştir. Bu ilk bölümün adı "The Exodus" (Çıkış)'tır. İdam cezasından ve Stalin'nin tasfiyesinden mucize eseri kurtulan Rus Subayı Kotov, şimdi de cephede ön saflarda savaşmaktadır. Kızı Nadia ise hemşire olarak, başkalarının hayatını kurtarmak için kendi hayatını riske atmaktadır. Savaşın parçaladığı ulus ve hatta eski düşmanlar bile vatanlarını savunmak için birlikte savaşmaktadırlar. İnsanlar zafere ulaşmak için birleşirler.

İtalya'da ölmekte olan bir kadın torununa hazinesini yıllar önce Rusya'nın Leningrad şehrinde sakladığını anlatır. (O öldüğünde etrafta olan) diğer insanlar da bunu öğrenir. Böylece, her biri kendisi için hazineyi bulmaya çalışan birkaç kişi Leningrad'a gelir. Daha da kötüsü - sahip oldukları tek bilgi, hazinenin bir aslanın altında olduğu ve sayısız aslan heykeliyle tanınan bir şehir olan Leningrad'da olduğu. Sovyet milislerinin (polis) her şeyi öğrenmesi ve gizli bir ajan göndermesiyle hikaye daha da ilginç bir hal alıyor...

Stories from the lives of the tenants of the Moscow's communal apartment: Kostik, who is a college student, lives with his aunt while studying; Arkady Velyurov who is a performing artist; Khobotovs, who are a divorced couple; and Sava, who is Margarita Khobotov's new fiancé. All these people live in one apartment and their lives constantly touch each other's.

The story follows Maria Konovalova who travels from her rural village to visit her daughter Nina in the city. Maria's arrival exposes the stark contrasts between rural and urban lifestyles and reveals deep-seated family tensions. Interestingly, Родня (Rodnya) in Russian sounds very similar to the word Родина (Rodina), which means "Motherland." The film features three generations of women — Maria, her daughter Nina, and her granddaughter Irina — symbolizing three different Russias: one from the past, one modern, and one representing the future.

The hero is an ordinary farmer, Philip Safronov, whose peaceful life is aggressively interrupted when his land is appropriated by a mysterious group to exploit its oil resources.

A corner of Hell hasn't been meeting its quota of damned souls, so Lila, a beautiful female demon, is sent to corrupt a moral man by making him irresistible to women. But Lila hadn't counted on falling for him herself.

Maria Odintsova, a young engineer, is a leader, secretary of the district committee of a small district, which is beginning to acquire important economic significance: it is decided to build a large hydroelectric power plant here. The heroine's conflict with the head of construction arises because of their different attitudes to the possibilities of using and preserving natural resources.

Vadik Volnov (Garik Kharlamov) dies on his own wedding of cannabis overdose and has to prove to God that he is worthy to enter Heaven. During his conversation with God's secretary, Vadik recalls numerous memorable moments of his earthly existence, such as getting drunk on cognac on his 8th birthday, service in the Soviet Army in Afghanistan, bandit showdowns in crime-ridden 1990s Russia, and, finally, meeting the love of his life.

The city "N" seized by chaos and lawlessness. A hitman nicknamed "The Arbiter" accomplishes justice. Experienced investigator and his partner, a young police lieutenant, decided to catch the mysterious killer. During the investigation, it turns out that the killer is a man who were a victim once.

An adult man is recalling his childhood years in North Russia during WWII.

Soviet intelligence spouses — Lyudmila ("Lyre") and Fyodor ("Starling") Grekov at the beginning of the Great Patriotic War are tasked with settling in Germany. Personnel intelligence officers with vast experience are successfully introduced into German society and begin to work actively. At the end of the war, during the bombing of Berlin, fate separates them, but then they will meet in the new Germany and continue their work.

A television play based on A.N. Ostrovsky's play *"The Last Victim"*, filmed for the 180th anniversary of the playwright's birth. This play features the fateful passion of a young woman, an irresistible seducer, vast wealth, and a desire to destroy one's soul in debauchery.

The film is based on Yuri Tomin’s story “Everything’s the Other Way Around Today” and tells the tale of children who decide to stage a “Disobedience Day.” Galka, Yurka, and Slavik make a pact to listen to no one and do only what they want. Their bewildered parents and teacher are slow to understand what’s come over the kids, but eventually manage to persuade them to abandon their impulsive idea.

Former fighter pilot turned provincial schoolmistress Nadezhda Petrovna struggles to adapt to peacetime, having internalised military ideals of service and obedience.

The engineer and the reporter arrived at one of the plants of the Altai. They have just completed the institutions and are confident that the future is in their hands. At the plant, all relations are formed around the dubious glory of the Turner Milovidov. A fresh look, self-confidence and each other help friends to expose the "record holder".

In the center of the film is a powerful, peculiar, talented Russian man, the largest timber merchant Yegor Bulychyov. He is experiencing a tragic discord with himself, with the world that surrounds him, with great social injustice, to which his whole life has been given. The idea of ​​the film is to determine the purpose and meaning of the existence of the human person, consider its polysyllabic and versatile connections with the world.

A new screen version of the play of the same name, written by Aleksandar Ostrovski. After a long time spent traveling abroad, the aging landowner Aleksandar Ashmetev returns to his mansion. He soon informs his spouse Maria Petrova (whom he doesn't love) that intends to leave again for Paris, away from dull provincial life. In despair, Maria thinks up a cunning plan. She introduces Aleksandar to Varya Zubareva, a young beauty from the neighboring mansion, in the hope that she will keep him there for longer. But, the mock intrigue takes a serious turn when it becomes obvious that Aleksandar has become seriously interested in Varya. Aleksandar now begins to think about how he can turn his passion into a real romance with the young temptress.

About the death of Aleksandr Pushkin, the leading poet and writer of Russia, who was shot on a duel and died when he was 37.

A moment inevitably comes in life when one has to part with childhood and enter another world, the world of adults. The transition from one state to another is very important - it is at this time that the character of the teenager is tested, his whole future life is determined. Eighth-grader Lyonka Buldyryov solves the problem of choosing a future path in life. These few days, full of important events and impressions, become decisive for him.

The hero of the movie is a popular composer and jazz performer. He is certainly a gifted man. However, his character is... to put it mildly, uncomfortable. He lives by emotions, he cares little about the fate of people who love him. Some will think that he is right in his own way; some will think that he missed something important in life. But anyway, one thing is certain: God is helping him.

The children's humorous film magazine "Yeralash" is a one-of-a-kind work of cinematography that ironically approaches the solution of everyday problems, focusing on the views and needs of modern society, allowing different generations to achieve mutual understanding.

Üç donanma öğrencisi yanlışlıkla Rusya'nın şansölye yardımcısı Bestuzhev'den çalınan gizli bir günlüğü ele geçirir. Bu günlük yurtdışına çıkarsa, ülke için sonuçları ağır olur. Harbiyeliler kağıtları sahiplerine geri vermeye çalışıyorlar ama kağıtları almak isteyenler de var...

Mishka Yaponchik was a Ukrainian gangster, Jewish, lived in Odessa at the beginning of the XX century, the military leader of two thousand of gangsters and the prototype of Benia Krik in The "Odessa Tales" by Soviet Jewish writer Isaak Babel. Born Moisei Vinnitsky, Yaponchik ("the Japanese") was an exceptional and eccentric character. Hailed as the next Robin Hood, he established his own code of conduct forbidding the robbing of the poor and professional classes.