Aleksandr Kudrenko

An employee of the fire department - a manipulator and a bribe-taker - is trying to get herself a kidney for a transplant. But this is not easy to do, since she lived her life in such a way that no one wants to help her.

MUR's investigator, Colonel Alexander Khlystov, receives an old photograph in the mail: it shows Yesenin, who has just been taken out of the loop. According to the rules, the investigator must give the case a legal course.

Rita, a social worker, is conducting an experiment: she organizes an extreme campaign in which she plans to re-educate young offenders. The hike is unexpectedly interrupted by the news of a murder in the group. The teenagers, not believing in a fair trial, decide to run higher into the mountains, taking Rita hostage. Rita's husband goes in search of them, unaware that he has to learn something unexpected about the woman he loves and his marriage.

In the center of the story are former lovers who have to go a long and dangerous path in order to save their son and find a common language with each other again. A young veterinarian from Moscow, Vasily Bulatov, is kidnapped by a group of terrorists from a Greek hotel and transported to one of the regions of Syria.

İzini kaybettiği sevgilisine kavuşan Alexey, itfaiyecilikten emekli olarak yeni bir hayata başlar. Ama Çernobil felaketi, onu bir kez daha tehlikenin ortasına savurur.

The film is about a generation of brave and beautiful people who did not see the destruction of the revolution and the chaos of the civil war, who dreamed of building a new life in which there would be no place for death, but only incredible love that opens the way for them to great achievements and discoveries. About exploits and glory, betrayal and loyalty of those who were heroes in heaven and on earth. About the time of immense trials that fell on their short but bright lives. About a woman who was the dream and true love of the Soviet Union.

While Saint Petersburg is shocked by the series of mysterious suicides, Egor is about to move to Moscow to leave the past behind and start over. His plans change when he meets Karina who believes something supernatural is happening. Together they will try to reveal the secret of the reoccuring deaths. The secret that will lead them to the sinister Man in White.

The movie examines the lives of the not-so-fortunate dregs of society through absurdist comedy. The unfortunates of the title are mentally challenged people, some of whom could be termed insane - or merely inane.

1984, Sverdlovsk, USSR. A shy freshman, an entrepreneur, a poet and two charming it-girls navigate life in a student dorm, sharing their griefs and joys, all for one and one for all. Suddenly a horrible accident blows up the life of the dorm when a female student commits suicide. The dorm is a miniature model of the world that encapsulates the full range of human passions, acts of bravery and cowardice, aspirations for virtue and failures, of love, friendship and betrayal.

Ilya stutters a lot, and this interferes with everything - his personal life, communication with the child, work. In desperation, he enrolls in the course of the famous doctor Cherkasova, a guru in his field, whom patients consider a magician and wizard. There he meets new friends and a new love - a young girl Vera. But it turns out that Cherkasova herself likes Ilya, and she intends to win him over.

Artyom is 15 years old. This is the same age when you are not an adult, but also not small. It was in this, the last summer of childhood, that everything fell on Artyom at once: the betrayal of his father, who remained abroad after the tour, first love, friendship forever and quarrel forever. Artyom has only a skateboard - this is how in the 80s in the USSR they called skate, which Soviet teenagers had just begun to learn about. Now Artyom needs only one thing: by all means to win in street competitions.

August 1960. Director Nikolai Berentsev is working on a large-scale science fiction film about an expedition to Venus. The construction of grandiose decorations begins in the pavilion. Berentsev himself develops models of planets and spacecraft, comes up with special devices for combined filming. He tries to imagine and visualize something that no one has ever seen — life on other planets. He believes that fantasy should run ahead of science, but faces skepticism from colleagues and the scientific community. In the end, he himself begins to doubt whether his film is needed by the audience, why these dreams of Space, when there are so many unresolved problems on Earth.