Christoph Grissemann

History professor Baisch, his depressive and tablet-addicted brother-in-law Anzengruber and a manic cabaret artist have a car accident on a remote country road after a party. Wedged between two trees they get stuck, doors and windows can no longer be opened, the windows made of bulletproof glass cannot be smashed. Injured and with no chance of escape, they wait for days for rescue. Their only provisions are a bowl of herring salad and a few bottles of Prosecco. Fits of rage and fear alternate with overwrought hilarity and desperate fits of crying. But it gets worse...

Insults, humiliation, violence, sexual assault - the world behind the camera and the scenes can be a nightmare for many theater and film professionals. Apparently there is a real climate of fear in some film and theater productions. Some directors, but also well-known actors, apparently abuse their power and treat those around them on set or on stage with contempt or even abuse. Individual cases have been known for years, including under #metoo. But are they really isolated cases? Or can directors and actors allow themselves anything because the system allows it? In their three-year research, the documentary filmmakers spoke to more than 200 film and theater professionals about the problems in their industry. How much responsibility do the alleged perpetrators bear for abuse of power and how much responsibility does the financiers, production companies, broadcasters and also the audience bear?

Journalist Carl Schwert (55) has always been interested in disaster. He has travelled to dark tourism destinations, meeting people who spend their spare time visiting prisons where captives were tortured, disaster zones, genocide memorial sites and slums. In between research trips he lives with his wife Sabine (38) in Vienna. She no longer leaves the house for fear of infection. Gradually, Schwert loses touch with reality and his life becomes increasingly unhinged.

According to an African fairy tale, every child receives a song from their parents that they carry with them throughout their lives. Richard, an orphaned Tanzanian immigrant, has never had his own song. How he got one before his unexpected death and the significant, though unintended, roles played by the dark-tourism entrepreneur Drakuhl, the gray-haired hair model Barney and the heavy-drinking music teacher Kiesel won't be revealed here. Merely that the song Dead Man Play becomes an international hit.

Jonas's father expresses his enthusiasm about Conchita Wurst's victory at the Eurovision Song Contest 2014. Hence, his 18-year-old son works up the courage to come out as a homosexual and introduce his boyfriend to his parents unexpectedly, his father's euphoria about the tolerance and open-mindedness displayed at the Song Contest comes to a sudden end.

Three loser-type ex-students who earn too little money and don´t get laid as much as they want, try to change that by producing a home made porn movie starring themselves. They loan money from a pimp and begin casting the girls. When filming starts they find out that sex in front of the camera is hard work. Also you should know how to work a video camera. Frustration, relationship problems and cabin fever culminate in a dope induced garden orgy. But is it a film?

Roland Mathis dies after falling down the stairs. He was an unsavoury private eye who had been blackmailing Anton Galba and his secret lover about their affair. Galba, who is the director of the local sewage treatment plant in Dornbirn, panics and gets rid of the body by putting it in the grinder. Nathan Weiss, the police officer investigating the case immediately suspects Galba...

Otto is the proud father of his three children, David, Julia, and Pius. This requires considerable logistical skill, as the three mothers must not know anything about each other. The game of hide-and-seek is about to be exposed when the nanny, Maria, has to go to the hospital. Otto hopes for help from the loner Josef, a bar acquaintance. It's only a matter of time before the house of cards collapses and the mothers discover the well-kept secret.

A late-night show featuring Northern German cabaret artist, singer and presenter Ina Müller - done "Müller-style": talk, comedy and lots and lots of music.

After his handler is killed, police dog Rex teams up with recently-divorced inspector Richard Moser to investigate crimes and solve mysteries on the streets of Vienna. And they sometimes get help from their two-legged friend, Inspector Stockinger.

Austrian Talk Show with Gags Gags Gags and two fantastic guests.

Angelika Schnell is the head of homicide and living proof that chaos is just another form of order. Nevertheless, she is a brilliant investigator - even if her methods are sometimes quite unconventional: In addition to hard facts, she also allows her distinctive inner voice to apply, which often leads to incomprehensible but very important conclusions...

Vienna suburb. Better society. Appearance and reality. A golden cage. But is everything that glitters really gold? Actually, the five "suburban women" of the title couldn't be doing any better in their supposedly perfect, affluent world – could they?

8 x 45 is an Austrian television series.