Daniel Veiga

While Amanda and Caio, a transgender couple, try to create a home together, they face professional problems, differences of opinion, and external pressures, depicting a journey of love, commitment, and personal discoveries. In this new chapter of their lives, they discover that the plans they made together may no longer make sense.

Father Julio Lancellotti tells the story of Marino, a transmasculine person who lived in the sixth century, in Lebanon, and who, after his death, was canonized as Santa Marina, considered, by progressive sectors of the Catholic church, the protector of gender identity. With scenes, reflections and interactions of a transmasculine group, the film promotes sensitive contemporary discussions about, for example, respect for the social name, resignifying Santa Marina into São Marino.

Luan works as an application bikeboy and faces dilemmas and prejudices in his daily delivery journey in a big city. Without hesitating, he dreams of a better future.

Siblings Ana, Sofia and Beto try to outrun conventional relationships, like their parents' 30-year-long marriage, which has just come to an abrupt end.