Madge Hindle

Eustace and Dorrie Edgehill have decided to leave Samola, a British protectorate in the Pacific. After the failure of his latest harebrained scheme, no one is likely to give Eustace a job now. Or are they?

A married couple, after a life time of work and bringing up a family, retire and awaken to the fast changing world around them, the habitual nature of their relationship, and what they have left.

Unexpected events occur when Pat, a glamorous British-born star of American soaps, returns home to plug her auto-biography on television and meets, for the first time since they were teenagers, Margaret her plain and frumpy younger sister. The meeting is painful for both women highlighting the vast differences in their lives and resurrecting painful memories of their unhappy childhood with an uncaring, errant mother. The tabloid press smell a juicy story and a race ensues to trace the whereabouts of the long lost parent.

Bess Throckmorton, a farmer's daughter from Devon, encounters an ancient relative who soon reveals himself to be the ghost of Sir Walter Raleigh, determined to escape the Tower of London once and for all and return to Devon. When Sir Raleigh learns that a pair of dastardly brothers have designs on his ancestors' farm, he devises a plan to thwart them.

When Denis Midgley's father is rushed to hospital, Midgley drops everything to be by his side. They've never really got on, so Midgley wants to be sure he's there if his father ever regains consciousness. As he hates his job as a schoolteacher, and his home-life with his wife, her senile mother and their insolent teenage son, he has no qualms about lingering around the hospital. But as days turn into weeks, his father obstinately refuses to 'slip away', and Denis' motivation for staying by his father's bedside has more and more to do with Valery, a young nurse.

"I like preaching... Only two things in my life have ever excited me as much: playing football and making love." But his congregation feel he's gone too far this time...

Rivalry at a local Gilbert and Sullivan Society over who will play Jack Point in the Silver Jubilee production. Rowland Matthews has always been the main star, but he is getting on, and the young Clive Bates is a strong rival.

When Eli and Nellie Pledge's father dies, the duo are left in charge of his pickle empire. The two siblings are complete opposites and Eli wants out, but since he can't leave until Nellie is married, he sets about finding a husband for his old-fashioned sister.

A crusty old English General leads his eccentric family on a family picnic trip, and comic chaos ensues.

The title is taken from a Liverpool saying, "Off on a vinegar trip," which is applied to a person behaving strangely. Barrie plays Sammy Chester, a pensioner who shocks his daughters and whose cavorting leads to a heart attack. His eldest daughter takes him to live with her, and calls a family conference to decide what is to be done Sammy is far from happy with the arrangements.

A crusty old General leads his dotty family on a relaxing weekend at the seaside, and comic chaos ensues.

The residents of Coronation Street are ordinary, working-class people, and the show follows them through regular social and family interactions at home, in the workplace, and in their local pub, the Rovers Return Inn. Britain's longest-running soap.

An anthology of short plays shown on BBC Television between 1965 and 1973, used in part at least as a training ground for new writers, on account of its short length, and which therefore attracted many writers who later became well known.

The Main Chance was a British television series which first aired on ITV between 1969,1970,1972 and 1975. A drama, it depicts the sudden transformation in the life of solicitor David Main who relocates from London to Leeds.

All Quiet on the Preston Front (or the shortened Preston Front as it became known for series two and three) was a BBC comedy drama about a group of friends in the fictional Lancashire town of Roker Bridge, and their links to the local Territorial Army infantry platoon. It was created by Tim Firth and ran from 1994 to 1997.

Porridge is a British situation comedy broadcast on BBC1 from 1974 to 1977, running for three series, two Christmas specials and a feature film also titled Porridge. Written by Dick Clement and Ian La Frenais, it stars Ronnie Barker and Richard Beckinsale as two inmates at the fictional HMP Slade in Cumberland. "Doing porridge" is British slang for serving a prison sentence, porridge once being the traditional breakfast in UK prisons. The series was followed by a 1978 sequel, Going Straight, which established that Fletcher would not be going back to prison again. Porridge was voted number seven in a 2004 BBC poll of the 100 greatest British sitcoms.

In Colne, Lancashire, in the North West of England, Nellie and Eli Pledge may be siblings, but their personalities are polar opposites. If not for inheritance, they would never even think of becoming business partners for five years.

Open All Hours is a British television sitcom created and written by Roy Clarke, starring Ronnie Barker as penny-pinching corner-shopkeeper Albert Arkwright, and David Jason as his nephew and assistant Granville. The programme originated as a 1973 episode of Barker’s comedy anthology Seven of One, and later ran for 26 episodes; the first series broadcast on BBC2, the remaining three series broadcast on BBC1.

Village Hall is a drama anthology series made by Granada between 1974 and 1975. It is entirely set in a village hall, with each episode highlighting a different use to which the space is put by local people. Writers include Jack Rosenthal and the actor Kenneth Cope.

On the Margin was a British satirical comedy sketch show written and performed by Alan Bennett and a regular cast including John Sergeant, Virginia Stride, Madge Hindle and Yvonne Gilan. Guest performers included John Fortune and Jonathan Miller. The show also featured songs and poems by John Betjeman and Philip Larkin. Each episode featured a mixture of sketches, some prophesying his later television dramas such as the quasi-soap, Streets Ahead, Life and Times in NW1, and more unexpectedly, serious poetry and music slots incorporating readings by Michael Hordern and Prunella Scales with archive footage of music-hall stars. This personalised nostalgic element distinguished On the Margin from other contemporary sketch shows, with Bennett's satirical swipes at Britain, integrated with his genuine love of its cultural heritage. It was directed by Sydney Lotterby, produced by Patrick Garland and was broadcast between 9 November and 14 December 1966 on BBC 2. It was repeated twice in 1967, but the tapes were wiped in the 1970s so the main surviving evidence of the series are the scripts. However, a compilation CD of audio extracts was released in 2009.