Costa-Gavras

CIA tarafından Rusları şaşırtmak ve gerçek casuslara yol açmak üzere bölgeye gönderilen iki şapşal casusun eğlenceli serüvenlerine tanık olacaksınız.

Başrolde "Yüzüklerin Efendisi"nin Gollum'u Andy Serkis'in rol aldığı film, gerçek bir suç hikayesine dayanıyor 19 yüzyıl Edinburgh'unda yaşayan William Burke ve William Hare geçinmek için çok farklı bir yol bulmuşlardır: Mezarları soyup, çaldıkları cesetleri tıp okuluna kadavra olarak satmaktadırlar! Ancak ceset bulma çabaları, başlarına olmadık işler açacaktır...

The extraordinary life of Orson Welles (1915-85), an enigma of Hollywood, an irreducible independent creator: a musical prodigy, an excellent painter, a master of theater and radio, a modern Shakespeare, a magician who was always searching for a new trick to surprise his audience, a romantic and legendary figure who lived only for cinema.

An incredibly dull-witted family unknowingly stumble upon an illegal weapons deal while on the trail of their "stolen" garbage.

In 1964, Henri-Georges Clouzot's production of L'Enfer came to a halt. Despite huge expectations, major studio backing and an unlimited budget, after three weeks the production collapsed. This documentary presents Inferno's incredible expressionistic original rushes, screen tests, and on-location footage, whilst also reconstructing Clouzot's original vision, and shedding light on the ill-fated endeavor through interviews, dramatizations of unfilmed scenes, and Clouzot's own notes.

Madame Rosa lives in a sixth-floor walkup in the Pigalle; she's a retired prostitute, Jewish and an Auschwitz survivor, a foster mom to children of other prostitutes. Momo is the oldest and her favorite, an Algerian lad whom she raises as a Muslim. He asks about his parents; she answers evasively. As she ages and takes fewer children, Momo must do more for her; as money is tight, he tries to earn pennies on the street with a puppet. He's a beautiful man-child, and Madame Rosa makes him promise never to sell himself or become a pimp. A film editor, Nadine, befriends him, and his father appears as well. Madame Rosa reaches her last days in fear of hospitals, and Momo must act.

Why are we still able, today, to view images that were captured over 125 years ago? As we enter the digital age, audiovisual heritage seems to be a sure and obvious fact. However, much of cinema and our filmed history has been lost forever. Archivists, technicians and filmmakers from different parts of the world explain what audiovisual preservation is and why it is necessary. The documentary is a tribute to all these professionals and their important work.

Thirteen filmmakers share personal reflections on Henri Langlois—the visionary founder of the Cinémathèque Française—recounting his influence on their lives, his role in preserving film history, and his enduring impact on world cinema.

An account of the extraordinary life of film pioneer Georges Méliès (1861-1938) and the amazing story of the copy in color of his masterpiece A Trip to the Moon (1902), unexpectedly found in Spain and restored thanks to the heroic efforts of a group of true cinema lovers.

18 years after his last film, (The Troubles We've Seen), Marcel Ophuls emerges from retirement as one of our last masters, the most corrosive, the funniest as well. And the most forceful. The director of The Sorrow and the Pity shares with us stories of his exceptionally rich life in this light-hearted yet bitter escapade though the century and the movies. Son of the great Max Ophuls, he is generous in his admiration. We also meet Jeanne Moreau, Bertolt Brecht, Ernst Lubitsch, Otto Preminger, Woody Allen, Stanley Kubrick and of course François Truffaut. There are no great filmmakers without a memory, so here is the memory shop of Marcel Ophuls.

An immersion into the diverse filmography of René Clément, a rare popular filmmaker also loved by critics, famous in particular for "Purple Noon".

We thought we'd seen, read, and heard everything there was to see about the Cannes Film Festival, from the glitz and gossip to the scandals and censorship. And yet, Emmanuel Barnault's "Morceaux de Cannes" (Pieces of Cannes), by this leading expert on Italian and French cinema, convinces us otherwise. The third largest event in the world (after the Olympic Games and the FIFA World Cup) reveals its secrets only sparingly, as this film attests. The result of passionate research in the INA archives, these 52 minutes, without interviews or voice-over narration, string together rare and sometimes previously unseen footage. Taken together, they tell a surprising, original, and heartwarming story of the Festival. On the beach, on a street corner, in a restaurant, or in the privacy of a hotel room, these forgotten archives summon the greatest filmmakers, actors, and actresses of the last seventy years, from Jean Cocteau to David Lynch, for an anthology of the Festival's history.

Austrian actress Romy Schneider (1938) and French actor Alain Delon (1935), once fervent lovers in the early sixties, maintained a close friendship and a certain working relationship after their breakup until her death in 1984: a universal and eternal love.

Fatou Cissé accompanies her father, malien director Souleymane Cissé, through a trip down his film career, painting an intimate and poetic picture of one of Africa’s most celebrated actors.

Ten years after the first documentary, the legend of the Palme d’Or… continues. Some new laureates of the Cannes trophy relive, for us, the very special moments surrounding the awarding of the Palme d’Or.

Armin Mueller-Stahl was one of the few Germans to become a celebrated Hollywood actor. He had to start all over again several times: after the Second World War, after his break with the GDR and finally in Hollywood. He often decided to take the risk of possible failure. The documentary also shows his life as a musician and painter and, above all, as a person.

Using the words and ideas of great filmmakers, from archival interviews with Alfred Hitchcock and Robert Bresson to new interviews with Mike Leigh, David Lynch, and Jonas Mekas, Oscar-winning filmmaker Chuck Workman shows what these filmmakers and others do that can't be expressed in words - but only in cinema.

Türkiye ve dünya sinemasının efsanelerinden Yılmaz Güney’e saygı duruşu niteliğindeki Çirkin Kral’ın Efsanesi, ailesi, çalışma arkadaşları ve dostlarıyla yapılan röportajlarla sanatçının dünya görüşü, sanat anlayışı ve zorluklarla dolu hayatına eğiliyor. Güney’in 1982 Cannes Film Festivali’nde Yol filmi ile kazandığı Altın Palmiye’den sonra Avrupa sinemasında bir efsaneye dönüşmesini tanıklıklarla sunan film, dünya prömiyerini Yılmaz Güney’in 33. ölüm yıl dönümünde Toronto Film Festivali’nde gerçekleştirdi. Hüseyin Tabak’ın yedi yılda tamamladığı Çirkin Kral’ın Efsanesi, Costa Gavras ve Michael Haneke gibi saygın yönetmenlerle söyleşiler de içeriyor.

Star at 17 years with the series of Sissi, Romy Schneider leaves Austria and glory for the love of Alain Delon. From Luchino Visconti to Otto Preminger, through Zulawski and Costa Gravas, she turned with the greatest. The directors interview those who knew her, who loved her, go back to the filming locations, make archive images speak for themselves... and try to detect the part of mystery that Romy Schneider conceals for ever.

Marcello Mastroianni, Isabelle Adjani, Alain Delon, Martin Scorsese, Woody Allen... the biggest stars in cinema were welcomed by Christian Defaye on his show Spécial cinéma. Between intimate confessions from actors and immersion in the world of the greatest filmmakers, Christian Defaye took viewers on a journey into the fascinating world of cinema for nearly thirty years.

The César Awards are cinematographic awards created in 1976 and presented annually in Paris to professionals of the 7th art in various categories to recognize the best French productions. They are often cited as the French equivalent of the Oscars in the United States.

As long as there is cinema, LE CERCLE will be there. It is the only television program of critical debates 100% devoted to cinema. Each week, it offers fiery, joyful and non-condescending jousts on the films on the bill; and invites with "Le questionnaire du CERCLE" directors to come and share their passion for cinema.