John Garvin

Public Eye is a British television drama broadcast from 1965 to 1975 on ITV1. Produced by ABC Television for three series, and Thames Television for a further four, the programme follows the investigations and cases handled by the unglamourous enquiry agent Frank Marker.

Story Parade specialized in adaptations of modern novels. It was broadcast on June 5, 1964 and repeated on August 28, 1964. The teleplay was by Terry Nation (who invented "Blake's 7" and the Daleks in Dr. Who), and Elijah Baley was played by the late Peter Cushing. It also starred John Carson John Carson as R. Daneel Olivaw and Kenneth J. Warren. The master tapes of the program were erased, however a few clips from the production have turned up in various documentaries about Isaac Asimov's work.

Out of This World is a British science fiction anthology television series made by ABC Television and broadcast in 1962. A spin-off from the popular anthology series Armchair Theatre, each episode is introduced by actor Boris Karloff. Many episodes are adaptations of stories by sci-fi writers including Isaac Asimov, Philip K. Dick and Clifford D. Simak. The series is generally seen as a precursor to the BBC science fiction anthology Out of the Unknown.

Manhunt is a World War II drama series consisting of 26 episodes, produced by London Weekend Television in 1969 and broadcast nationwide.

When a young soldier suddenly dies, his parents and his girlfriend are naturally shocked and upset by the news. Several months later a young man turns up at the parent's house claiming to be their dead son's best friend. They welcome him and invite him to stay for a while. They also introduce him to their son's girlfriend and she is similarly impressed by him. It is later discovered, however, that he is not what he appears to be and may have had a hand in their son's death.

A personal dispute between a union leader and a management leader causes chaos for workers at a troublesome tin mining company.

'I'd stake my reputation on it. These photographs are not faked.' But how could photographs, taken on a simple camera by two Yorkshire village girls, have momentous implications for man's understanding of the world?