Marie Tomsová

For a second time this film leads us to the village in South Bohemia. We meet again Konopnik family and Skopek family. Venca Konopnik is marrying Blazena Skopek but there is another woman Milada who is very jealous and she is spreading gossips about Venca Konopnik. Those gossips are so powerful that they lead to big fights between Konopnik and Skopek families. You will also see what a progress on milk-yielding-cows-project has been made.

Several big-city teenagers are falsely accused of vandalizing a valuable organ, casting light on the hypocrisy of the adult world.

The film is essentially a feature-length commercial for an exhibition to mark the 40th anniversary of the nationalisation of the Czechoslovak film industry, to be held at the Prague U Hybernu venue. The protagonists of the piece are comedians Oldrich Kaiser and Jirí Lábus, who are set to accept an award from Japanese television representatives at the exhibition. At the same time, five gangsters plot to seize a revolutionary invention devised by professor Suzuki - a super holograph, which enables any figure from television to be transported in the flesh into the real world, and vice-versa.

A 16-year-old young man, a budding rock enthusiast, spots a beautiful guitar but soon finds he doesn't have enough money. In vain, he asks his parents to help him. Eventually he tries to raise the necessary funds on his own. This is a not very believable normalisation morality tale, which was supposed to guide teenagers towards desirable patterns of behaviour.

The history of famous Czech circus families is well known. However, even circus families are affected by the changing times, and so when Ferdinand, the father and ringmaster, bitterly complains that circuses used to stick together like a family, but today a family that sticks together is like a circus attraction, everyone has to think about how to save the international circus festival and, in fact, Circus Maximum itself.

In the second half of the 1980s, so-called critical films began to emerge, but they were afraid to make a sharper statement, moving on the basis of an engaged morality that wanted to improve the existing conditions cosmetically at best. The theme of the search for a new anchor in life becomes a central element: the protagonist, after returning from the war, does not want to devote himself to the constraints of elite sports, he rejects the dubious business of a friend. Most of all, he would be attracted to a perfectly ordinary job in a bakery. The dance clip inserts, however, make it difficult to navigate the already rather confusing narrative.