Raymonde Heudeline

Paris'te garsonluk yaparak, kendine özgü bir dünyada yaşayan saf, çekingen ve masum bir kızdır Amelie. Annesinin beklenmedik ölümü, babasının soğuk tavırları ve yaşadığı travmalar sonucu, sevimli ve boş şeylerle uğraşarak kendisine eğlence yaratmaya çalışsa da aslında hayatı sıkıcı bulduğu için kendisini son derece yalnız hissetmektedir. Bu kısır döngü Amelie’nin evde bulduğu bir kutuyu ve onun aracılığıyla sahibini keşfetmesiyle birlikte bir anda bıçak gibi kesiliverir... Amelie aşık olmuştur.

1920li yılların sonunda Hindiçin Liseli bir Fransız kız, Mekong nehrindeki bir vapurda zengin bir Çinli ile tanışır ve onun birlikte yolculuk etme teklifini kabul eder. Sonrasında genç kız, adamın garsoniyerine gidecek ve ilk aşkı orada yaşayacaktır. Irklar arası sürtüşmenin, para ve statü gibi değerlerin şekillendirdiği bu tutku dolu ilişki, Çinli adam için ömür boyu unutulmayacak gerçek aşk anlamını taşıyacaktır. Ünlü yazar Marguerite Durasın Fransanın en önemli edebiyat ödülü Prix Goncourta layık görülen ve kendi yaşam öyküsünden izler taşıyan romanından, baş döndürücü güzellikte bir uyarlama.

Nicole (Agnes Soral) is sent up the river for infanticide in this routine woman-in-prison feature. There she meets Marthe (Annie Girardot), a fellow murderess who receives special treatment from the warden Dessombes (Marie-Christine Barrault). The warden frames Nelly (Bernadette Lafont) for drug possession and has her thrown into solitary confinement. Sabien (Corinne Touzet) is a newcomer convicted of armed robbery who latches on to the lesbian Lucie (Milva), a longtime prisoner slated for release.

In a French nightclub, choreographed song and dance routines are performed, rather than a streamlined narrative. They tell the story of Parisian culture and politics from the 1920s—1980s. A disparate, anachronistic series of characters, including an ordinary waiter, a Nazi collaborator, resistance fighters, and 1960s student protestors gather to celebrate and satirize 20th century France's icons, demons, and social changes.

Ada and Lise are both costume designers, the first is around 20, the other around 30. Both are working hard on their break through. There are also jobs for the movies. This is where Lise meets producer Alphonse, who is nearly 20 years older than she. Because he is unhappy with his girlfriend a secret relationship evolves. Ada has problems as well, but she's not the only one. There are also the young Emma and Nina, as well as Yves and Guido - enough people to get into complicated relationship entanglements.

Sylvain Berg, a "professional" unemployed who spends his time hiking and mountain climbing, and "model" bank employee Benoît Constant, who has just been fired and does not want his wife to find out, both find themselves in Françoise Duru's office at an employment agency. Françoise is secretly in love with Sylvain, so in order to keep him close she convinces her employer to give Sylvain a job he doesn't want, instead of Benoit who not only wants it but also has the right qualifications.

Fabrice is an otherwise brutish truck driver who loves the disciplines involved in bicycle racing. He's no champion and doesn't appear to care much whether he wins any or not. In the crowded spaces of his world, the aloneness that comes with being a racer in training affords him a much-needed solitude and peace of mind. It's probably best for the people around him, too. In fact, it would be good if he could remain on his bike forever, because his nearly insane fear and distrust of others leads him to some pretty obnoxious behavior, especially with the women in his life.

This film is about Gils, a young boy (about ten) in a juvenile mental hospital in 1950's France. Flashbacks recount his conflicts with authority and his strong relationship with Jessica, a similarly rebellious schoolmate. Simultaneously, a compassionate doctor develops a trusting friendship with Gils, which a higher-ranking authoritarian doctor tries to thwart.

Julie Martial, impetuous and headstrong young editor, receives large red envelopes crimes committed just 24 hours later. Marc Simon, of the homicide squad, try to make the connection between the victims, who do not know and apparently have nothing in common. The case caused an outcry in the press, which refers to "the murderer with the ink stamp." Because the murderer signs his crimes with a number branded on the forehead of its victims. While Marc Simon and his men face this conundrum, Julia receives a letter of great concern: this time, the mass murderer describes his own death ...

A strange man is involved in a village massacre and drug dealing.

The Section de recherches is a special unit of the Gendarmerie nationale, responsible for the most complex cases. In Bordeaux (from 2006 to 2013) and then in Nice (since 2014), child abductions, disappearances, heinous or sexual crimes are the daily lot of the investigators in this research unit. In the search for witnesses, the team is authorised to extend its investigations beyond France's borders.