Helen Steemson

In a seemingly quiet country town the newest resident, Detective Inspector Mike Shepherd, finds that murder lurks in even the most homely location.

After her husband is incarcerated, matriarch Cheryl decides that her career criminal family should go straight and abide by the law.

The Legend of William Tell is a 16-part television fantasy/drama series produced in 1998 by Cloud 9 Productions in New Zealand. The basic premise of the series — a crossbow-wielding rebel defies a corrupt governor — and the name of the title character were adopted from the traditional story, but the series was set in a fantasy world and featured supernatural themes. Described by executive producer Raymond Thompson as "Star Wars on the planet Earth", this is a fantasy saga of bravery, magic, myth and romance. William Tell is the youthful leader of a band of young, ‘brat pack' outlaws, forever hunted by the forces of darkness, led by Xax and Kreel, who have usurped power in their homeland. The series of self-contained stories follows Will's quest to restore young Princess Vara to her rightful place on the royal throne and defeat Xax and Kreel's forces — and by doing so, bring back peace and order to the Kingdom of Kale. There is action and adventure along the way, magic, creatures, mystery, intrigue — but also much human drama and interplay among Will's rebel band who must support each other in their quest. The group encounter a diverse range of people and situations on their journey — some help the resistance movement, others are cohorts of Xax and Kreel.

In a town called Hope on the edge of Britain's empire, desperations clash: the beautiful Dorothea Brook is desperate to free her pregnant sister Rose from the clutches of Fraser, a fortune hunter. A local politician, William Poyner, is desperate for cash and thinks marriage to Dorothea will save him. Dorothea hires Lawrence Hayes, a rough but handsome Argonaut, to bribe Fraser with jewels and to marry Rose; Hayes desperately loves Dorothea and may marry Rose to stay close to her. But Dorothea has a lover, the ravishing Anne Cooper, who encourages the match with Poyser to give the lovers cover. Are these remedies, each desperate in its turn, going to make anyone happy?