Mireia Ros

Koldo ve Clara için hayatlarının en önemli günüdür çünkü evlenmek üzeredirler. Her şey normal başlamıştır, özellikle gelin ve damat ile onların aileleri olmak üzere herkes bu önemli günün tadını çıkarmaktadır. Fakat birdenbire bazı misafirler, ne olduğu anlaşılmayan bir hastalığın belirtilerini göstermeye başlar. Gelin ve damat daha şaşkınlıklarını üzerlerinden atamadan kendilerini bir kâbusun içinde bulurlar. Hayatlarının en mutlu günü, hayatlarının en korkunç gününe dönüşmüştür.

Crime drama centering on a gang of rapists, the aftermath of their crimes on the victims and the gang members being brought to justice.

In the post Spanish civil war years, Catalan kids would sit in circles among the ruins and tell stories, known as "aventis" (the film's original title in Catalan, its original language). These tales mix war stories, local gossip, comic book characters, fantasy and real events. The "aventis" told in this film are told in flashback. In the mid 80s, 45 or so years after the age of the "aventis," a doctor and a nurse-nun (who grew up together, and now are co-workers in a hospital) identify the corpse of one of the main characters of the "aventis" of their childhood and adolescence. Besides the interesting flashbacks - a chronical of the Civil War in a "typical" Barcelona microcosm itself, the discovery of this body (belonging to someone long presumed dead) leads to other surprises and unresolved doubts, several decades later

Fan girl finds herself torn between the attraction for her film idol and her best male friend.

Jill is a young actress in decline who does not do things very well, neither professionally nor personally. Used by all those around her, everything will change for her the moment she meets Luis, a waiter. Now she has something that makes her happy and for which she has a reason to live.

"Mentiders" tells the story of a family trying to survive atypical Christmas Eve.

Samuel is an old hippie musician who settled in Formentera in the 1970s, when King Crimson and other British rock bands frequented the island. There he lives austerely, in a ramshackle house without electric light or unnecessary luxuries, and plays the banjo in a friends' club. Until one day, after many years, he receives the unexpected visit of his daughter Anna and his grandson Marc. Anna, unemployed for some time, says she has had to accept a job in France and is forced to leave her little son on the island with grandfather Samuel.

Four different Alices wander through mazes constructed from 40 years of Spanish history in this post-Franco meditation. Loosely related to the "Alice" of Alice in Wonderland, in one episode of this film, Alice (who is clearly a metaphor for the Spanish people) is raped by some multinational corporations. Told in a somewhat confusing manner, especially for those unfamiliar with the nuances of Spain's history in the period between 1936 and 1975, this is director Jorge Feliu's first feature film.

María, a young and attractive woman, loses her job, meets Luis, a young man with no stable job neither, his wife supports him. Luis wants to start a relationship with María, but she doesn't. She prefers to be with Luis' friends instead.

Andrés, a young provincial who became blind during his childhood, comes to the capital with the possibility of having a transplant and recovering his sight. Upon arrival, he stays with an old friend of the family, Rogelio Molinos, who lives with his daughter Marisol. Soon a relationship is established between the two young people that makes Andrés conceive false illusions.

1870. Agnes, of the wealthy family of Villalonga, enter as a novice in a cloistered convent. He soon falls in love with James, a soldier brother of another inmate, Sister Jacinta, and is answered by it. To be together, the young man invents an excuse, but is wounded by the Carlist.

A group of outsiders converges at the seedy Pension Ezequiel - live erotic performers Gervasio and Fabiola, multi-tasking dreamer Khouma, mapmaker Arcadio, letter-collector Virginia, moralist Delfín, and troubled newcomer Ana - all under the watch of the enigmatic proprietor Ezequiel. When Ezequiel dies, his passing unleashes hidden desires, rivalries, and secrets, changing the pension forever.

Maribel (Natalia Dicenta) is a prostitute working in Madrid in the late fifties. One night he meets Marcelino (Carlos Hipolito), shy and quiet man who falls for her. For Maribel is in principle a client more, but gradually begins to feel attracted to the shy provincial, owner of a chocolate factory in Soria. Pili (Nathalie Seseña), Rufi (Mireia Ros) and Nini (Malena Alterio), the companions of Maribel, truculent by nature suspicious of this relationship and begin to suspect that the provincial could be a murderer. When Maribel Marcelino asks her to marry him, they intervene and away from Marcelino and his "strange family". Adapted from the play "Maribel and the Strange Family" by Miguel Mihura.

Eloy de Palma is an exorcist pastor roaming the darkest corners of the country with his granddaughter Alba. Their mission is to help those possessed by The Evil One, an infection of the soul that is spreading fast. Each exorcism is tougher than the one before, and every battle reveals a piece of Alba’s forgotten past – an enigma that if unconcealed could change the world as we know it.

Barcelona, 1980s: in a tough urban neighbourhood inhabited by survivors and ruled by ex-legionnaires Gandhi, Fontán and Andrade - who are fighting a war for control of the streets - Nen and his friends Palito, Topo and Tostao dream of making it big in the world of rumba. But Nen discovers why his father, El Guacho - of whom all Nen has left is the memory of his brilliance as a rumba singer - disappeared many years earlier. He learns how the relationship between his mother, Chata, and Ghandi, leader of the neighbourhood, was connected to his father's disappearance, and so Nen is forced to balance his own desire for vengeance with his longing to triumph.

Victor finds his wife, Virginia, in bed with another man. Virginia is dead, and the two men decide to lie so as not to tarnish the memory of the deceased. The lover will disappear, and Victor will declare that Virginia died by his side. But the game of falsehoods will become complicated. Nothing will go as planned, and a new woman will appear who will make both of them lose their heads.

The life in a Catalan (Southern France) village near the border may be quite boring. A young man who is escaping from his homeland is seeking for something and may find it in this weird place. You see the relationship between the people in the village, their dreams, their past and their perspectives in life. The foreigner is hosted there and is messed in the deep whereabouts of these people and tries somehow to fit in.

In Cold War-era West Berlin, Lola (Julia Migenes-Johnson), an American blues singer with a nightclub band, falls for the piano player, David (Jose Coronado). Their romance is cut short when David must return to his native East, and Lola soon begins an affair with Huessler (Keith Baxter), the bandleader. But any guilt Lola may feel for betraying David is assuaged when Huessler saves her from unexpected misfortune.

Marga, a well-known television presenter, organizes a dinner with old friends from boarding school to which he has not seen for 30 years. But the meeting hidden other motives. Marga projects an old super 8 film shot where they can guess the murderer of a friend by one of the dinner guests. After a night of surprises and serious accusations, the truth comes out.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.