Alessandro Lui

Arturo is a lonely, gluttonous, and disillusioned Sicilian real estate agent. His mundane life finally finds its spark through his one true passion: Sicilian pastries. It’s over a tray of cannoli that he meets his soulmate, Flora. She is everything he ever dreamed of—beautiful, witty, and brilliant. To top it off, she’s a pastry chef. However, a divine obstacle stands between them: God. While Flora is a devout, fervent Catholic, Arturo abandoned his faith as a child. Desperate not to lose the woman of his dreams, he decides to "fake it 'til he makes it," pretending to be a man of deep conviction. Guiding Arturo on this chaotic journey toward truth, faith, and Flora’s heart is an unlikely mentor and friend: Pope Francis himself.

The Pantani case, a film directed by Domenico Ciolfi, tells the story of the last five years in the life of the cyclist from Romagna, in particular from 5 June 1999, when he was suspended from racing, to 14 February 2004, the day of his death. His untimely death in unclear circumstances, which have opened several judicial inquiries, was a shock to the world of cycling, which lost its Pirate on Valentine's Day. The film is a tribute to this Italian sporting hero, remembering him as a young man who, riding his bike, reached several milestones but was defeated in a fatal match.

A long night in a psychiatric hospital, in 1962. A forced pact between a nurse and a patient, in which the latter is subjected to inhumane practices. The Human Hourglass is a minimalistic portrayal of suspended time, shared loneliness, and the possibility of surviving alienation through a small revolution: caring for others.

Vanina Guarrasi leaves Palermo in an attempt to escape the past. The crazy fear of reliving certain traumas has taken over and she finds herself in the homicide police department in Catania, supported by a new team and friends.