Roberto Peloni

Kara mizahıyla aklımızı çelen Saygın Vatandaş filmini 2017’de festivalde izlediğimiz Gastón Duprat, yeni filminde edebiyat değil çağdaş sanat dünyasını, yine kara mizaha yaslanan bir gerilimle mercek altına yatırıyor. Filmin başkarakterleri, her türlü üçkâğıda hazır sanat simsarı Arturo ve en sevdiği, en çok takıştığı dostu, ressam Renzo. Renzo’nun dışavurumcu tarzı popülerliğini kaybedince Arturo riskli olduğu kadar akılalmaz bir planı devreye sokmaya karar veriyor. Dünya prömiyerini Venedik Film Festivali’nde yapan Başyapıtım sürprizler, kazalar, art niyetler, komplolar, sınırları zorlanan arkadaşlıklar ve Buenos Aires sanat dünyasının ilginç karakterleriyle hem keyifli bir dostluk filmi hem de sivri bir güncel sanat eleştirisi.

Gato lives on a remote farm with his teenage daughter Emma where without even basic communications tools they’re entirely cut off from the outside world. But once Emma comes into possession of a phone, she’s contacted by a party claiming to be working on behalf of her mother, who her father claimed abandoned her at birth. Infuriated, Emma heads off on a journey of self-discovery to reconnect with her mother, all the while Gato and his best pal Sombra (Danny Trejo) race to rescue her from the grim fate she’s unknowingly heading towards.

Laura Garland lost her husband on the war while she’s pregnant. She lives in a big house which is divided in two. Government pursuits her claiming she must occupy the whole house, if she doesn’t, they will take it from her. Laura leases the house to Ricky, an outlaw that will bring new trouble in her life. At least she has another plan.

Tells the irruption of a John Lennon impersonator, whom a stunt manager presents as the real idol, deceiving a famous television host who plans fearsome revenge.

A show where a drunk narrator tries telling an important event of the history of Argentina and Latin America.