Louis Seigner

Roma 'nın banliyösünde yaşayan çevirmen Vittoria (Monica Vitti),sorunlarla geçen bir geceden sonra yazar olan nişanlısı Ricardo (Francisco Rabal)'dan ayrılır ve Roma'ya bir borsa bağımlısı olan annesini ziyarete gider.Burada borsa simsarı Piero (Alain Delon) ile tanışırlar.Bir materyalist olan Piero ile mutsuz ve boşvermiş Vittoria arasında başlayan yakınlaşma ikisinin de yanlızlıklarına son vermez.

Soğukkanlı bir sanat tüccarı olan Bay Klein, Paris’te işgal altındaki Fransa’dan kaçmak zorunda kalan Yahudilerin sanat eserlerini alıp satmaktadır. Nazilerin, kendisinin de Yahudi olduğundan şüphelendiklerini öğrenir ve gizemli ikizinin yani öteki Bay Klein’in peşine düşer.

Young sailor Edmond Dantès is wrongfully imprisoned, escapes, finds treasure, and reinvents himself as the wealthy Count of Monte Cristo to exact revenge on those who betrayed him.

Six months before his retirement from the criminal police, inspector Joss finds his colleague Gouvion dead, in a poorly faked suicide attempt. Joss loses his temper, and investigates on his own, which leads him through the bas-fond of Paris...

Two scriptwriters argue about the fate of Henrietta, a charming and gamine shopgirl. One favors a comical path for their heroine, who is overcome with sentimental love for a young photographer on Bastille Day. The other has a more thrilling and dastardly fate in mind for her. Among the film's irresistible conceits is Hildegarde Neff as an oversexed circus bareback rider.

In 19th century France, Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.

Witty narration follows the history of Versailles Palace; founded by Louis XIII, enlarged by autocratic Louis XIV, whose personal affairs and amours, and those of his two successors, are pursued in more detail to the start of the Revolution, after which the story is brought rapidly up to date.

As Dominique Marceau is being tried for the murder of Gilbert Tellier, accounts by different witnesses paint a picture of the kind of relationship the two used to share.

Three stories about pleasure. The first one is about a man hiding his age behind a mask to keep going to balls and fancying women - pleasure and youth. Then comes the long tale of Madame Tellier taking her girls (whores) to the country for attending her niece's communion - pleasure and purity. And lastly, Jean the painter falls in love with his model - pleasure and death.

A tale of the tender relationship between a twelve-year-old boy and the fourteen-year-old upperclassman who is the object of his desire, all set within the rigid atmosphere of a Jesuit-run school.

In the early 16th century, Italy is ruled by the powerful Borgia family, led by César Borgia and his sister Lucrèce. In a ruthless power play, César plots to have his sister’s husband murdered. But without her brother’s knowledge, Lucrèce has taken a strong lover who will challenge the Borgias.

A compilation of segments covers the seven deadly sins of greed, wrath, envy, pride, lust, sloth, and gluttony.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

Bons baisers de Hong Kong (From Hong Kong with Love) is a 1975 French film directed by Yvan Chiffre. It is a parody of James Bond movies featuring Les Charlots with scenes shot in Hong Kong. Mickey Rooney featured in the film as well as Bernard Lee and Lois Maxwell, stars of the James Bond films who appeared as M and Moneypenny respectively.

The story of the Swiss soldier, Henri Dunant, who was responsible for the founding of the Red Cross, and who was offered the first Nobel Peace Prize.

César Dandieu is an honest cashier in an oil company, and Fernand Mouchette an absent-minded inventor. The latter comes to propose a new type of carburetor to the company when César has to hand in the day's takings to his superior.

Haute Couture model in Paris becomes involved in the activities of two rival jewel thief gangs.

Julien Dandieu, leader of the socialist political party PRU is asked to be part of the new conservative government as minister of foreign affairs. However his reputation is somewhat tarnished by his adulterous relationship with Creezy, a fashion model seen on every magazine cover. Ready to sacrifice his family for his career, he is eventually faced with the ultimate choice: his career ambitions or a lifetime with his beautiful girlfriend, who has recently mysteriously disappeared.

Hopes and love and ambitions and friendship in a group of young jazz-loving Parisians.

The Donadieu family lives in the Provençal sun in a happy letting go, The father, the mother, the son and the three daughters. One of them, Claire, falls in love with a mountain dweller, Chapus, whom she marries Chapus, rough and austere, undertakes to educate the Donadieu family. The joy disappears and only returns in the absence of Chapus.

Fransız sinemasının önemli yönetmenlerinden "Le Salaire De La Peur" (1953), "Les Diaboliques" (1955) gibi başyapıtları yöneten Henri-Georges Clouzot en çarpıcı filmlerinden biri olan Le Corbeau (1943) bir kasaba doktorunun Karga imzalı bir tehdit mektubu almasını ve giderek kasabada hemen hemen herkese aynı mektubun gönderilmesinin yarattığı huzursuzluğu anlatıyor. Film Tulle kentinde gerçek bir olaydan esinlenerek, Fransız taşrasına gerçekçi bir gözlemde bulunmuş. Filmin yapımcılığını Almanlar üstlenmiş. Filmi Almanlar, İsviçre ve Çekoslovakya gibi ülkelerde, Fransız toplumunun yozlaşmasının göstergesi, tanıtımıyla gösterime sunması, 2.Dünya Savaşı döneminde direnişçilerin tepkisine ve savaşın bitiminden sonra Clouzot ve oyuncu Pirre Fresnay'ın uzun süre sinemadan dışlanmasına yol açmış.

Henri Chatelard is well into his forties, owns a restaurant and a cinema in the city, and appreciates women. When he meets Marie, an 18-ish strong-head who just lost her father in a small fishing village, it is not clear who is the hunter and who is the prey.

In Nazi-occupied France, a German officer is assassinated. The Germans demand justice, and the Vichy government is quick to capitulate. Unable to apprehend the actual culprits, Minister of Justice Joseph Barthélémy decides the execution of token Frenchmen will suffice, but the problem is finding judges and jurors eager to participate in a sham trial of innocent men. The solution is a Special Section, a court comprised of individuals handpicked for this exact purpose.

Le Grand Échiquier is a French variety television program created and presented by Jacques Chancel. It aired at 8:30 pm on the first channel of the ORTF from January 12, 1972 to July 12, 1972, then on the second color channel of the ORTF from September 1972 to December 1974, and finally on Antenne 2 from January 1975 to December 21, 1989. The program returned to France 2 on December 20, 2018 and is hosted by Anne-Sophie Lapix.

It is the start of the 14th century and Philip IV the Fair reigns supreme over France. His three sons would rule after him. Isabelle, his only daughter, is married to King Edward II of England. Under Philip's reign, France is great but its people are unhappy. Only one power dares to stand up to him: the order of the Knights Templar. When the last Grand Master of the Temple, Jacques de Molay, is burned at the stake, he curses Philip and so begins a dark period, full of blood and violence, death and tears ...

Molière pour rire et pour pleurer recounts the life of Jean‑Baptiste Poquelin, from his childhood in an artisan family to his rise as Molière, a central figure of French theatre. The series shows his difficult decision to abandon the family trade and join Madeleine Béjart to found L’Illustre Théâtre, marked by debts and repeated setbacks. While touring the provinces, he shapes his style and discovers the power of comedy. Back in Paris, he makes a name for himself with Les Précieuses ridicules, but his sharp satires provoke fierce opposition, especially during the Tartuffe scandal. Supported by Louis XIV, he continues despite attacks, literary rivalries, and tensions within his troupe, particularly with Armande Béjart. The miniseries also follows his growing exhaustion, his determination to perform at any cost, and his final breath after Le Malade imaginaire, the ultimate symbol of an artist who lived — and died — for the stage.