Zelda Rittner

Cannes Film Festivali’nin en çok ses getiren filmlerinden Emilia Peréz danstan şarkıya, suçtan uyuşturucuya, melodramdan pembe diziye ve narkotik gerilime uzanıyor. Bu cesur ve sıradışı müzikal polisiye, hak ettiği takdiri hiç görmeden çalıştığı büyük firmada, adaletten çok suçluları aklamayı gözeten avukat Rita’yı izliyor. Rita’nın aradığı kurtuluş, beklemediği bir yerden gelir: Meksika’nın en güçlü uyuşturucu kartellerinden birinin lideri Manitas, yıllardır hazırlıklarını sürdürdüğü planını gizlice gerçekleştirmesine yardımcı olması için Rita’yı işe alır. Manitas cinsiyet uyum operasyonu geçirecektir.

Sadoun is France’s best soccer player whose extra-curriculum pleasures are damaging his play and new contract negotiations. Dispatched by his scheming agent to his home village, he ends up reconciling with his father, relating to his fatherless niece, who dotes on him, and training his local children’s team, whom he takes to championship glory.

Fired for insubordination, PJ Antoine Verlay, good cop but a blood strand and having difficulty working as a team, is attached to the OCBC (Central Office for the fight against Traffic in Cultural Goods) thanks to the intervention of the commander Pardo, his friend who becomes, therefore, his new superior. A clever investigator, but a stranger to everything related to culture, Antoine will have to work with Florence Chassagne, renowned art historian, who lives, speaks and breathes culture, to the point that - fruit of her great imagination - it happens to her in the midst of daydreams, to see and talk to the great artists who have disappeared as if they were familiar to her.

Five years after his daughter disappeared, a mistake in the National Police's DNA register makes it possible for the officer Rolf to finally find out what happened to her.