Aleksander Browne

The residents of Coronation Street are ordinary, working-class people, and the show follows them through regular social and family interactions at home, in the workplace, and in their local pub, the Rovers Return Inn. Britain's longest-running soap.

Sunday Night Theatre was a long-running series of televised live television plays screened by BBC Television from early 1950 until 1959. The productions for the first five years or so of the run were re-staged live the following Thursday, partly because of technical limitations in this era, and the theatrical basis of early television drama. Some of the earliest collaborations between Rudolph Cartier and Nigel Neale were produced for this series, including Arrow to the Heart and Nineteen Eighty-Four. The Sunday night drama slot was subsequently renamed The Sunday-Night Play which ran for four seasons between 1960 and 1963. ITV transmitted its own unrelated run of Sunday Night Theatre between 1971 and 1974.

A UK anthology series of single plays from major playwrights old and new. It ran from 1955 to 1974, producing about five hundred ninety-minute episodes from Granada Television. Season 1 also incorporates the Plays from the 'H.M. Tennant Globe Theatre' series, some of which were incorporated and labelled in listings as official Play of the Week episodes and some of which were played in place of Play of the Week episodes in alternative ITV regions. All 8 plays have been incorporated into this entry for convenience.

Drama 61-67 is anthology drama series which took a different title, based on year of transmission, each year. It alternated with Armchair Theatre from ABC in the Sunday evening slot. The series was described at the time as epitomising ATV drama.

The adventures of Richard Crane, cafe owner & part-time smuggler, around the coast of Morocco, aided (and sometimes abetted) by his ex-Foreign Legion sidekick Orlando, waitress Halina, and local cop Colonel Mahmoud.

Ghost Squad, known as G.S.5 for its third series, was a crime drama series about an elite division of Scotland Yard that ran between 1961 and 1964. Each episode the Ghost Squad would investigate cases that fell outside the scope of normal police work. Despite the show and characters being fictional, an actual division did exist within the Metropolitan Police Service at the time. Inspiration for the series was taken from a book of the same name, written by John Gosling — a retired police officer and former member of the team. Although the real-life squad only operated in London, the fictionalised team travelled internationally; however — as was typical of the time — most foreign locations were actually a combination of stock footage and sets at Independent Artists Studio at Beaconsfield and Elstree Studios. Music was by Philip Green. The show was produced by ITC Entertainment, along with Rank Organisation TV and ATV. It was the first ITC show filmed to fit the one hour time-slot — setting the trend for the majority of ITC's future output. Another common ITC trait was to feature an American, in this case Michael Quinn, in a leading role so as to increase the chances of international sales. At 6' 3", Quinn often towered over his co-workers. This was especially noticeable in the first series title sequence showing him walking through a crowd walking in the opposite direction. He frequently smoked in the show as did many others. The second series had a different title sequence and Neil Hallett sometimes replaced Quinn. Hallett looked more like a spy while Quinn looked a bit like a playboy. Quinn was replaced by Australian actor, Ray Barrett in the third series. Ray Austin played Billy Clay in and was also Stunt Director on all series bringing the action to life. Austin went on to become a renowned TV director in Hollywood and the UK.

An early hit for ATV, this absorbing, rigorously researched and very human drama series centres on the work of a team of probation officers based in London, and the lives of the men and women of all ages and backgrounds who come under their care. Drawing on the documentary skills of creator Julian Bond and produced by Emergency - Ward 10s Antony Kearey, Probation Officer was broadcast at a time when the service was increasingly coming into focus as progressive response to rising crime.

'Zero One' is the call sign of the International Air Security Board, an international security network dedicated to the safety of air travel all around the world, with its HQ at London Airport. Airline detective Alan Garnett is called upon to combat hijackers and smugglers, prevent disasters, and generally preserve peace in the air and at airports.

Quiller is a British television drama about the exploits of Quiller, the alias of a fictional British spy, as he carries out his various assignments for the secret agency known only as "The Bureau". The character was created by English novelist Elleston Trevor who wrote a series of Cold War thrillers written under the pseudonym "Adam Hall".

Brett, a journalist with a taste for the high life and a penchant for trouble. a powerful and ambitious man who would become a tycoon, but with his shady past catching up with him, brings him conflict with people he had crossed.

Brothers Robert, Paul, Patrick and John Sullavan are all lawyers, but specialise in different fields, and discuss points of law and questions of ethics in terms accessible to the viewer.

About Religion was a UK religious affairs programme on Associated Television (ATV) 1958–1965. It was usually hosted by interviewer Julian Grenfell, with David King and John Brooking. An anthology of interviews was published in 1963.

24-Hour Call was a 1963 British television series for ATV around the private practice of four doctors played by Godfrey Quigley as Dr Bennett and Geoffrey Frederick from a previous ATV series Call Oxbridge 2000, and newcomers Scott Forbes and Andrew Downie.

A young Englishman dreams of escaping from his working class family and dead-end job as an undertaker's assistant. A number of indiscretions cause him to lie in order to avoid the penalties. His life turns into a mess and he has an opportunity to run away and leave it all behind.

"In Jan Carew’s explosive drama, Sammy Davis Jr gives a memorable performance as a proud but disillusioned revolutionary who aims to destroy the remnants of white colonial rule in a new African nation. The political themes explored remain incredibly prescient." - BFI