Cecilia Gómez

Plague decimates late 16th century Seville, a crowded city where many have arrived to embark for the New World to seek their fortune.

Set in the heart of the Spanish Romani community, the fiction follows police inspector Elena Blanco and her team, as they try to crack the crime case pertaining to the murders of sisters Lara and Susana Macaya, separated by a 7-year gap.

Three young men, restless and consumed by unfulfilled desires, drift through Madrid forming a volatile and toxic friendship. Their resentment toward women grows into a shared language of anger, pushing them into a spiral of reckless acts, broken relationships, and self-destruction. As their lives begin to unravel, each of them is forced to confront the darkness they’ve nurtured — and to face the uncomfortable truth about who they are and what they fear becoming.

Carla is pregnant and naked, imitating the poses her mother took when she was pregnant with her. Sunlight filters through the windows. You see pictures in Super-8 of mothers and fathers, grandmothers and grandfathers, smiling, sewing, reciting poems. Then, a young girl travels from the Sixties to the Eighties, until today, crossing the thresholds of femininity and history, until the meeting with Carla by the Blue Sea of Catalonia and with Manel, Carla's newborn son.