Jerzy Święch

Katowice, the night of December 12-13, 1981. Military units occupy strategic points in the city. A group of Zomovniks, smashing union security, drags the chairman of the Company Commission of the NSZZ Solidarity in the Wujek mine out of his apartment. The news quickly spreads to the miners. Initially surprised, they soon react with spontaneous protest. On December 14, a strike breaks out at the plant. The miners demand the lifting of martial law and the release of the chairman. When negotiations fail, the army, ZOMO and militia storm the mine.

Television play adaptation of Wajda's stage play of Stanisław Wyspiański's November Night. The drama takes place on two levels - historical and metaphorical. The first one is almost a chronicle of several hours of the uprising - it shows the drama of the attitudes of Poles at the beginning of the armed struggle, in confrontation with the attitude of Grand Duke Constantine, the Tsar's deputy in Poland. The second one presents the world of gods playing out their arguments. Man becomes a plaything in their hands, but it is he who experiences his fear, heroism and hope.

Bearing traces of the old Anton Chekhov play The Wedding, The Contract is set during an "arranged" ceremony. The bride and groom barely know each other, but this matters not at all to their tradition-bound families. At the last minute, the bride balks. Only slightly nonplused, the groom's father, a status-seeking doctor, decides to go ahead with the expensive reception anyway. Polish director Krzysz Zanussi uses this scenario to stick it to capitalist corruption, and to society's destruction of the individual spirit. Leslie Caron, the one recognizable member of the cast, is outstanding as a wealthy, over-the-hill ballerina who happens to be a kleptomaniac.

In a bucolic Polish hamlet, the tense relationship between a father and son reaches a boiling point when the men lose their hearts to the same woman and vie for her affections. Based on Wladyslaw Reymont's Nobel Prize-winning book and helmed by Jan Rybkowski, this theatrical release (starring Krzystof Chamiec, Wladyslaw Hancza and Emilia Krakowska) was culled from a 13-episode miniseries that aired on Polish television in 1972.

The film, which is a reconstruction of the life and work of Stanisław Ignacy Witkiewicz, known under the pseudonym Witkacy, was produced especially on the occasion of the artist's 100th birthday. Witkacy is one of the outstanding European artists of the early twentieth century. Author of many short stories and plays translated into eighteen languages. Author of his own philosophical system, art theorist, painter of Formist paintings and portraits, a man who left behind a legend of a unique personality.

The story stretches from 1863 to 1945. Its main characters are representatives of the Pasternik family, who live in the fictional village of Wielowice near Pszczyna. The protagonist of the first three episodes is Franciszek Pasternik, the following parts tell about the fate of his many children and even more grandchildren. The viewer follows their history against the backdrop of great changes and historical events that influenced the lives of Silesian Poles. So there is the Kulturkampf, Prussian rugi, the revolution of 1905, World War I and the Silesian Uprisings.

Created to mark the 60th anniversary of Poland's regained independence, Andrzej Wajda's acclaimed seven-hour stage production As the Years Go By, As the Days go By... follows two Kraków families between 1874 and 1914.