Paul Le Person

A hapless orchestra player becomes an unwitting pawn of rival factions within the French secret service after he is chosen as a decoy by being identified as a super secret agent.

Toplumun kurallarıyla boğuşan, cinsellik ve özgürlüklerinin karmaşasına düşen karakterlerle dolu, birbirine muğlak derecelerde bağlı olan bölümlerden oluşan bir Bunuel filmi. Filmde, bir yemek masası çevresinde klozetlere oturmuş insanların kimsenin görmediği yerlere çekilip yemek yemek için özürlerle sofradan kalkmaları gibi sahneler mevcut. Komik ve çılgın öğelerin bulunduğu filmde, Luis Bunuel sürrealistliğini doyasıya ortaya çıkarmıştır. Onlarca başyapıt çıkarmış bir yönetmenin en sıradışı çalışmalarından biri * bunuel: ironi ve absürtlük... toplumu yerden yere vurarak eleştiren, bitirmediği, yarım bıraktığı hikayeler ile insanı meraktan çıldırtan bir film * İnsanların özgürlüğü aradıkları ama onun anlamını bilmedikleri ve daha çok ondan korkmaları... Sahnelerde hep ters ilişki var, burada asıl özgürlük bir hayalet gibi (komünist manifestonun giriş bölümünde böyle bir hayalet benzetmesi yapılmakta) küçük burjuva ve konfor arayışındaki insanların arasında sadece geziniyor.

Anne ve Jean-Louis, bir pazar günü çocukları sayesinde tanışırlar. İkisi de duldur ve hayatlarında kimi ‘boşluklar’ vardır.

With "little captain" Cambrai raising serious doubts about the reality of the so-called "super spy," Colonel Toulouse kidnaps Christine and forces Francois to play again the character of "The Tall Blond Man with One Black Shoe" in some fake adventures. All this to stop the investigation into the death of Colonel Milan.

Unlucky in love, Alfred tries to commit suicide, only to be thwarted by police efforts to prevent a simultaneous attempt by a nearby young woman. Recovering, the young lady puts him up at her house, as he has run out of places to live. He joins a Parisian sporting team and seems to have transferred his bad luck to a corrupt television boss who is attempting to manipulate the game so that Alfred's Paris team loses.

A playwright of note, Darius developed a drinking problem after his first major hit, and has taken time out from writing his follow-up to go to a clinic and dry out. After his release, Darius finds his producer has hired a leading lady for his next show, booked the theater and advertised the starting date -- all without Darius writing so much as a word of this new play. Darius desperately tries to come up with ideas, but nothing comes to mind, with an inflexible deadline staring him in the face. One day, Darius kills a neighbor's cat by accident; terribly depressed, he swallows some sedatives and falls asleep at his computer -- only to awake with the beginning of his play glowing on the screen. Darius is now convinced he must kill in order to create, and starts murdering an ever-expanding variety of creatures in order to satisfy his now bloodthirsty muse.

Two people, a Frenchman and a Jewish German woman, meet on a train while escaping the German army entering France.

This documentary brings a lighting on the originality and the specificity of the actor-author Pierre Richard, improbable synthesis of the talking ant silent films, heir to Buster Keaton for the gestural one and the expression of the body, and to Groucho Marx for the puns and the burlesque verbal one. Conceived like a voyage inside the universe of Pierre Richard, "the Art of unsteadiness" makes it possible to better understand its step, its method of actor, director and gag man. With through many testimonies, extracts of films and archives documents, drawn up here the portrait of one of the large last burlesques.

A thief known as Simon the Swiss faces up and downs in his criminal profession.

In the countryside near Normandy's beaches lives Marie, unhappy. It's 1945, she's married to Jérôme, a somewhat fussy milquetoast, diffident to the war around him and unwilling to move his wife to Paris, where she longs to live, shop, and party. A German outfit is bivouacked at Jérôme and Marie's crumbling château because its commanding officer is pursuing Marie. She's also eyed by a French spy working with the Allies as they plan D-Day. He woos her (posing to the Germans as her brother) and, in his passion, forgets his mission. Heroics come from an unexpected direction, and Marie makes her choice.

Anita is a barmaid at the center of a community of street preachers, prostitutes, dealers and users. When a beloved friend (and young drug dealer) is caught by narcotics agents, Anita takes it upon herself to score for his struggling clients.

The first days of WWI. Adrien, a young and handsome lieutenant, is wounded by a piece of shrapnel. He will spend the entire wartime at the Val-de-Grâce Hospital, in Paris. Five long years, and his life will change forever...

Edmond Dantès, who was active in the resistance against the Nazis, is accused for being a Nazi collaborator and is imprisoned in the fortress of Sisteron.

Matthias Duval is in love, but he can't choose between the two twin sisters Betty and Liz Kerner. To pick up the two sisters, he invents his own twin brother and will play both characters.

In turn-of-the-century Paris, Georges Randal is brought up by his wealthy uncle, who steals his inheritance. Georges hopes to marry his cousin Charlotte, but his uncle arranges for her to marry a rich neighbour. In retaliation, Georges steals the fiancé's family jewels, and enjoys the experience so much that he embarks upon a lifetime of burglary.

A woman is detained at La Conciergerie. She's 37 but her hair are already white. She's suffering from terrible haemorraghe. Her name is Marie-Antoinette of Lorraine, from Austria, and she's living her last four days.

In early twentieth-century Brittany, two peasants marry, have a son, and live in traditional Breton ways: three generations under one roof, a division of labor between the sexes, elders' stories at night, politics and religion during their little free time. Times are hard: la Chienne du Monde drives some to suicide; Ankou (death) is close at hand. Pierre is born into this republican family, his lyric childhood interrupted by the outbreak of war and his father's conscription. He learns his catechism and, as a child of a Reds, also reveres school. His grandfather and father often put him on their shoulders, giving him a ride on the horse of pride.

Goubi, the simpleton of his village in the French Department Allier, has but one wish: to see Paris. One day, the truckers Grafouillère deposit a drunk Goubi in the biggest market of Paris (the "Halles"). The poor man is completely lost, but the meat merchant Dessertine takes him under his wings when he hears that Goubi was likewise 'raised by the State'...

François, a miserable football player, becomes a town hero after bringing victory in an extremely important game. He uses his fame for revenge on the team star for the previous mockeries.

Because he has seduced Germaine de Boismenil, Georges Dormont is thrown out of the army by the colonel and husband of the beautiful. After the death of the Count of Boismenil, Dormont arrived at the castle of the widow with the firm intention of taking revenge. From the outset, he seduces Pierrette, the servant, revives the heart of Germaine, having gotten an appointment with the widow, he makes her naked, humiliates and leaves her. Witness of the scene, Martha, the proud orphan, throws herself into the arms of Gaston, faithful order of the colonel, to avenge her mother. George soon flouted their feelings. He then forces Germaine to reveal his attachment to Pierrette and causes a beautiful scandal.

On 9 January 1836, Pierre Lacenaire goes to the guillotine, a murderer and a thief. He gives Allard, a police inspector, his life story, written while awaiting execution. He also asks Allard to care for Hermine, a lass to whom he has been guardian for more than ten years. In flashbacks, from the prison as Lacenaire writes, from Allard's study as he and Hermine read, and from other readers' memory after the book is published, we see Lacenaire's childhood as he stands up to bullies, including priests, his youthful thieving, his first murder, his brief army career, his seduction of a princess, and his affair with Avril, a young man who dies beside him.

Follow in the footsteps of burlesque actor Pierre Richard, a key figure in French cinema in the 1970s and 1980s.

On the eve of the First World War, the inhabitants of a small village in Corrèze see a strange woman arrive: Cécile Brunie, a young teacher with original methods. Badly perceived from the beginning, the young woman tries as best she can to gather a whole class because since always the children are sent to the farm from their youngest age without being able to go to school. However, Cécile does not give up and decides to fight against ignorance.

A French variety show.

The series follows the adventures of lighthearted Jean-Paul Moulin, a police Commissaire, and his team as they solve crimes.

Les Cinq Dernieres Minutes is a crime based French television series

The Return of Arsène Lupin (1989) is a French crime television series consisting of 12 episodes, each approximately 55 minutes long, broadcast on FR3 between November 1989 and January 1990. It features the famous gentleman thief created by Maurice Leblanc, played here by François Dunoyer, in a more mischievous and modern interpretation than his predecessors, which retains the hero's refinement and intelligence while immersing him in stories with international overtones, with a more contemporary tone for the late 1980s.

TV Show Details

A French two-parter about a famous American trial - that of Julius and Ethel Rosenberg, who became the first people in American history to receive the death penalty for espionage.

French miniseries.