Zuhair Ramadan

A modern classic of Arab television. A social drama set in the 1920s in Damascus- It highlights Damascene life, noble values, and ancient customs and traditions represented by the people of Harat al-Dabeh who fled to Harat al-Salihiyah after the French bombed Harat al-Dabeh. The events take place after the gold is stolen from the house of the cloth merchant Abu Ibrahim, and the guard Abu al-Samu is killed. The men of the neighborhood try to find the thief.

Tucked away in the Syrian mountains, the fictional village of Umm al-Tanafs al-Fawqa has been completely bypassed by modern technology — and its simple, warm-hearted residents have no idea what they're missing. Each episode follows their hilarious attempts to navigate life's big and small dramas with nothing but common sense, stubbornness and each other. A gentle, sharp satire that uses village innocence as a mirror for modern society's complications — described by many viewers as the greatest Arab comedy ever made.

The daughter of the quarter's chief, Khatoon pushed by love, rebels against traditions and wages confrontations with her family and the residents

The life and suffering of seven girlfriends in our modern society, as each has her own demands and hopes, from searching for work, to achieving self-fulfillment, human dignity, and balanced living psychologically and socially.

Based on one of the most famous novels by Syrian novelist Khairy Al-Zahabi, the film tells the story of a woman from a Syrian family who is married but always treated badly by her husband, and is good at embroidery.

The story is about a young man with a relatively large nose, who is ashamed of his enlargement relative to the normal size of the nose, so he tries hard to get rid of this defect in different ways. In other words, "a messenger of love" to send him oral oral messages, the reason that paves the way for the birth of a love story between the girl and the middle man resulting in many problems between the people of the village.

Syria, 1967, rumors of war. Abu Kamel, a peasant who farms tomatoes near Latakia, bullies his family. One by one, each rebels against him or finds a route to break away.

In his debut feature film, director Muhammad explores the inexorable dissolution of a family, ironically during the planning of a wedding, the kind of ritual that ought to bond family members together in shared joy. The film exposes the divisive dynamics of patriarchal oppression, and the terrible connections between familial and sociopolitical violence.