Marie Bell

Filmde, 1860’ların İtalyası’nın hızla değişen toplumsal yapısına uyum sağlamaya çalışan yaşlı bir prensi canlandıran Burt Lancaster, statüsünü ve yaşam tarzını sağlama alma çabasıyla yeğeni Tancredi’nin (Alain Delon) zengin bir tüccarın kızı olan Angela’yla (Claudia Cardinale) evliliğini ayarlar; ve filmin final bölümünü oluşturan neredeyse bir saate yakın balo sahnesi boyunca, hem ait olduğu toplumsal sınıf hem de kendi geçmişiyle bugünü üzerine derin düşüncelere dalar. Birey ve toplum arasındaki etkileşimi büyüleyici ve görkemli bir dille anlatan böyle bir filmi, ancak Visconti gibi aristokrat kökenli bir Marksist yönetebilirdi. (Lancaster, rolünü Visconti’nin karakterinden yola çıkarak canlandırdığını söylemiştir). Aristokratların artık gücün yeni zenginlerin eline geçtiğini kabullendikleri balo sahnesi, haklı olarak sinema tarihinin en ustaca çekilmiş sahnelerinden biri olarak kabul edilir.

Sandra returns to her hometown to take care of family business, but childhood memories and secrets soon overcome her.

A beautiful widow gambles away her fortune at baccarat and is forced her to sell her jewels and ask Victor for hospitality. Victor tries to seduce her but she loves the shy Gaston.

The film displays Madame Récamier 's conflict with Napoleon. Twice she was pressed to become one of the Empress's ladies. In revenge for her refusal Napoleon declined to save her husband from ruin.

After the death of her husband, Christine realizes she has possibly wasted her life by marrying him instead of the man towards whom, in her youth, she had a stronger inclination. To overcome these dreary thoughts, she decides to find out about him and the other men who danced with her during a ball that was a turning point in her life, many years ago. She pays a visit to those forgotten acquaintances one after the other; Christine is not only surprised to see how they have fared, but also discovers the impact she had, unknowingly, on the feelings and the destiny of these persons.

The eponymous garçonne or flapper is Monique Lerbier, an emancipated French woman who leaves home to escape a marriage of convenience to a man she does not love which her parents have forced on her. She then falls into all sorts of carnal temptations and artificial pleasures previously unknown to her. These include her being seduced into a lesbian love affair by a chanteuse.

Fedora swears to avenge the death of her fiancé, Prince Yarischkine, killed by Ipanoff who fled to Paris. She finds Ipanoff whom she falls in love with and he confesses to having killed her fiancé because Yarischkine was his wife's lover. But learning that her brother was executed because of Fedora, Ipanoff leaves her. Fedora commits suicide.

Maxime de Champcey, a bankrupt marquis, is hired by the wealthy Laroque and falls for his daughter Marguerite. She loves him too but rejects him under the belief he's a fortune hunter.

Beautiful and adored by the public, the great actress Florence once faulted with Remi, a disreputable individual. A little girl was born who lives in the countryside. Dorcier, the director, would like to marry Florence and wonders about her private life and her past existence. A jealous rival unleashes slander.

Didier Méreuil, affectionately called Poliche, is in love with Rosine, a beautiful girl, so he does everything to please her. She does not love him, and accepts a seductive airplane pilot who proposes to her. One day, she discovers that the funny man is just a front behind which there is a serious Didier. She will try to make up and live with him - but the gap between them is already too large.

Monsieur Feydeau has writer's block and he needs a new play, so he takes an opportunity to observe his upper class neighbors of 1900 Paris. There is Monsieur Boniface with hard domineering wife Angelique; also, Monsieur Cotte with beautiful but neglected wife Marcelle. Henri Cotte traces architectural anomalies (mostly "ghost" sounds in the drain pipes) and plans a night at the Hotel Paradiso, which happens to be the chosen romantic rendezvous spot of Marcelle and Monsieur Boniface. One wife, two husbands, a nephew, and the perky Boniface maid, all at this 'by the hour' hotel and consummation of the affair is, to say the least, severely compromised (not the least by a police raid). All of this is under Feydeau's eye, and his play is the 'success fou' of the next season.

In the absence of her royal husband Theseus, thought to be dead, Phaedra declares her love to Hippolyte, Theseus's son from a previous marriage.

Maxime, heir to an old provincial family, is deeply in love with Maud whom he makes his fiancée. But learning that the young girl's life has not always been beyond reproach, he refuses to marry her and returns to his castle in the company of his sister who, happier than him, has met a man worthy of being in Paris. love.

The new French military attaché at the Constantinople embassy helps a young woman being blackmailed by her own husband.

French version of the Selma Lagerlof story, most famously filmed in 1921 by Victor Sjostrom, about a poor sinner who only realizes what misery he's wrought when he dies on New Year's Eve and is collected by Death in his carriage.

A criminal is being blackmailed by his former accomplices. He does everything in his power to gain time because the statutory limitation for the crime he committed starts at midnight.

Pierre , a young lawyer, has enormous debts due to his mistress Florence and her whims of luxury life. Pierre has gone too far and put the family firm in jeopardy. They ask him to expatriate. To avoid scandal, Pierre joins the Foreign Legion. In Morocco, near the desert, Pierre goes with his comrades of the Legion to a bar-restaurant-brothel, owned by a shady character, Mr. Clement . Clement lives more or less with Ms.Blanche who is a fortune teller with cards, as a hobby. But Clement is also after his girls now and then. Pierre is still obsessed with Florence but he meets Irma , one of Clement's girls, who is the double of Florence except for hair color. Irma has had an accident and has lost part of her memory at a certain point of her recent past, and Pierre slowly persuades himself she is Florence, but cannot remember it. Advised by Ms.Blanche, Irma finally accepts to act as if she was Florence because she is falling in love with Pierre.

During the French Revolution in 1793, a member of the Convention, seduced by the Comtesse de Beaulieu, helps her to discover the truth about the relationship between Agnès de Fitz-James and the count who was guillotined.

The story of a French officer who is assumed dead during the Napoleonic Wars, but returns ten years later to a very different France, both on a political and personal level. The film is based on the novel Colonel Chabert by Honoré de Balzac.

Princess Isabelle is in love with the young man in charge of her library. But André is looking for a simple woman without money. He falls in love with a shopgirl who could be the Princess' sister. It's up to Isabelle come up with a scheme to find love...

A rich, idle young man falls in love with a cabaret singer. Very skilful, she pretends to remain insensitive to this love, thus hoping to better achieve her ambitious ends.

Jean Fleury, a young engineer who has designed a revolutionary engine for the Revoil motor company, is engaged to Aimée Valois, a seamstress, his neighbor across the hall. But the charming young lady is hired one day by a nightclub and lets herself be lured by the easy life in Paris. So much so that, to Jean's great distress, she breaks up with him. But, along with time, Aimée gets tired of her vain and frivolous lifestyle and comes back to Jean.

Le Grand Échiquier is a French variety television program created and presented by Jacques Chancel. It aired at 8:30 pm on the first channel of the ORTF from January 12, 1972 to July 12, 1972, then on the second color channel of the ORTF from September 1972 to December 1974, and finally on Antenne 2 from January 1975 to December 21, 1989. The program returned to France 2 on December 20, 2018 and is hosted by Anne-Sophie Lapix.