Dina Mušanović

Yugoslavia, 1991. Far away from the war zones, Branka gets a job at the maternity ward of a state hospital. The young woman is all alone, but it turns out loneliness is not the hardest burden Branka has to carry. Newborns are disappearing from the hospital.

Riki works for a struggling catering company. Ado, his misogynistic colleague and brother-in-law, wants to fix the business by beating up Melisa, a former co-worker who is a top cake-maker, to force her to work with them again. All the rest of the employees dismiss Ado's plan as stupid and senseless. However, Ado is a stubborn savage, and his colleagues know he won't give up unless he is stopped. Riki is divided between a sense of justice, and the norms through which we tolerate family and friends no matter what they do.

In Sarajevo, a teenager seeking affirmation reveals that she had sex for the first time during a game of 'truth or dare' among middle schoolers. Trapped in her own lie, she fabricates a pregnancy and becomes the center of a controversy that spirals out of control.

Sofija, a hostel worker in Sarajevo, has until the end of the week to empty her estranged father's office.

During a troublesome shooting of a short art film about a war crime at the location where it took place, three young independent filmmakers discover they are being watched by a stranger.

Daily routine of the public procurement agency in Bosnia-Herzegovina manned by terminally lazy socially awkward clerks with messy emotional lives.

After discovering a dead body in the National Museum, Inspector Edib and Mido are called to the crime scene. But the disappearance of the body and the hidden motives of the Museum lead them to a web of corruption and international crime.