Liliane de Kermadec
Yönetmen · 1928 – 2020 · Warsaw, Warszawskie [now Mazowieckie], Poland
Liliane de Kermadec (6 October 1928 – 13 February 2020) was a Polish-French film director and screenwriter, known for Aloïse (1975), La piste du télégraphe (1994) and Sophie et le Capitaine (1978). She directed more than twenty films and documentaries between 1965 and 2016. Kermadec began as a set photographer, working with Agnes Varda on Cléo from 5 to 7, Alain Resnais on Muriel, and Yves Robert on Berbert and the Train. Her first two feature films, Home Sweet Home (1972) and Aloïse (1975), were both screened at Cannes Film Festival.
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Film7.7RomantikKomediİkiz kardeşler Delphine ve Solange, doğup büyüdükleri küçük kasaba Rochefort’tan çıkıp, büyük şehirde aşkı ve zenginliği bulma hayalleri kurar. Ayrılma planları yaparken, karnavalda şarkıcı olarak işe başlarlar. Tek bir hafta sonu, gönül işleriyle onların planlarını bozmaya yeter.
Film5.3SuçVicky de Berlin, a female gangster, haunted by wartime memories , runs a floating night-club in Brussel. Marcel, her partner and lover, is in charge of the banknotes forgery manufacture concealed in the bottom of the boat. He decides to rob the Bank of Belgium and exchange a huge sum of counterfeit money for its equivalent in genuine one. But things get complicated when Yoko, the she leader of another gang and her lover The Bug interfere...
Film6.4BelgeselIn the 70s, actress Delphine Seyrig and director Carole Roussopoulos, both militant feminists, were the pioneers of video activism in France. They documented the demonstrations of French feminists and used the new technologies to counter the poor representation of women in the public media.
Film7.5BelgeselDelphine Seyrig, an extraordinary woman and actress, died on October 15, 1990. From "Last Year at Marienbad" by Alain Resnais to "India Song" by Marguerite Duras, she played in 34 films for cinema, 13 films for television and 33 plays. Jacqueline Veuve, filmmaker and friend of Delphine Seyrig, wanted to break the silence that has fallen on her memory by making a documentary that traces with emotion and subjectivity the life of the mythical actress, the fierce feminist but also the simple friend.
Delphine Seyrig, portrait d'une comète
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