Michèle Brousse

Orta yaşlı, boşanmış bir üniversite profesörü ve , sevecen bir kadın olan Nathalie, ona yakın olan herkesi önüne geçilmez bir şekilde kıskanmaya başlar. En iyi arkadaşı, yeni meslektaşı, eski kocası … herkes kendini tuhaf davranışlar içerisinde bulur. 18 yaşındaki güzel kızı Mathilde bile! Alaycı doğası ve çatışan duygularıyla Nathalie, bu beklenmedik orta yaş krizi boyunca komik, dokunaklı ve patavatsız bir şekilde davranır.

Genç bir kadın Paris’e yerleşmeye karar verir ve burada zengin insanların yaşadığı bir semtteki, daha çok civarındaki tiyatrolara hizmet veren bir barda garson olarak çalışmaya başlar. Burada bir piyano virtüözüyle, ünlü bir aktrisle ve büyük bir sanat kolleksiyoneriyle tanışır. Bu sayede çocukluğundan beri büyükannesinin bahsedip durduğu “lüks hayatla” da tanışacaktır.

Bisexual attorney Alain is bedding his female boss, his murderer client, the client's hairdresser girlfriend, and a precocious boy who knows what he wants and tries to convince Alain that he can 'have it all'.

On the verge of arrest, a corrupt congressman takes refuge in his cousin’s house, the home of a boorish yet life-loving peasant. Swapping a luxury mansion for a hovel, a veritable pigsty, this refined and educated gentleman finds it hard to adapt to such a crude way of life. To make matters worse, a DJ with a trailer parked nearby is planning to throw a rave out in the middle of nowhere. The disgraced politician is waiting for his accomplices, who are supposed to take him to an airport so he can flee to South America. But nothing goes according to plan, and he ends up stranded with his vulgar relative in the back of beyond.

The dream, which filled half of her life, was no longer enough for Maryvonne. She leaves her husband, child, lover and leaves for Paimpol. And there, it's a breath of fresh air in the form of real life, reality finally joins the dream.

The love affairs of Bob, a womanizer and seducer and Mammouth, the unhappy loner.

Don Quichotte (Luchini) is a modern filmmaker with views on the perfect film. Sancho Pança (Risch) is systematically condradicting Quichotte, whose film materializes in front of them as he lists his ideas

Two sisters have to deal with the traditional issues of growing up and the unusual problem of caring for an unstable father in the drama Qui Plume La Lune?

This comedy-drama by first-time director and scripter Jean-Luc Trotignant details the exploits of a crass, low-life family. Achille Pinglard (Jean-Luc Bideau) is a factory foreman and his wife Ginette (Michele Brousse) works in a porno theater. Together, they are driving their daughter up the wall. She vents her feelings in her private diary, which her parents often expropriate for their own use. Meanwhile, the son in the family finds himself without a room after his parents rent it out to someone else, and the grandmother is a demented alcoholic invalid.

During the German occupation of France, a young woman - Marie - finds a Jewish boy in her room. His parents and other Jewish neighbors have been just been deported, but Maurice (the boy) escaped. Marie decides to hide him, secretly.

Chantel is happy: her son's away at school playing soccer, she and her husband get along, her neighbor Agnès is her best friend, and her job at a government office is easy. When her husband is laid off and she wonders for how long, her office pal Jackie recommends Alban, a psychic (and compulsive gambler), who promptly tells Chantel of a curse on her that will take three sessions (and 10,000 FF) to dispel. Through happenstance, she meets Alban's half-brother; thinking she is following the psychic predictions, she tries to start an affair with him. She also undergoes Alban's exorcism, and soon, terrible things indeed start to happen. Is there any way out of her misery?

Soriba Samb is a Senegalese who has just received a much sought after internship to study filmmaking in Paris. Soriba heads to Paris, accompanied by the five-year old son of a friend who he believes to be still living in Paris. On arrival he struggles to find the boy’s father. In addition to coping with his new internship, Soriba has to also spend time tracking down the boy’s father ‘Issa’.

Xavie, an idealistic filmmaker, takes a motley film crew and two experienced actors in a country house, to shoot a film without a script, following chance, as A. Einstein understood it: "Coincidence is God's way of remaining anonymous".