Martine Sarcey

Visitors young and old get up to fun antics and romance at a seaside hotel in Brittany, France.

In 1917, the First World War is raging. Julien is from Luxemburg, so instead of having to go to war he studies piano in Paris. One day his friend Jacques, also a musician and now a fighter pilot on the front, invites him to spend a few days in his family's empty house in Bray. The housekeeper, a beautiful stoic woman lets Julien in, but his friend is late and he is obliged to wait. In the meantime, he starts reminiscing of the pre-war days spent with his friend and Jacques' girlfriend Odile.

La Création du Monde is among the first animated feature films made in France. But to be exact, the film was animated in Czechia and directed by Eduard Hofman. It is adapted from a series of five books by Jean Effel, a French caricaturist and illustrator. The visual style is adapted from his drawings. The film is a comedy about the creation of the universe in six days, with the devil messing around and contributing in his own way.

On an otherwise normal day, Étienne, a happily married man and a good father, sees something that stops him dead in his tracks: a gorgeous woman in a billowing red dress. Long after she has left his vision, her memory continues to haunt his mind. He falls instantly in love with her and tries everything to get to know her better. Helping Étienne snare his elusive lady in red are his three bumbling buddies, which all have secret affairs and/or cheat on their wives.

Pierre, 44, contentedly divorced, takes his teen daughter to the Côte d'Azur along with his friend Jacques and Jacques' own teen daughter, Françoise. On the topless beaches of Saint-Tropez, Jacques and Pierre discuss marriage and being parents. Then, in a wild moment at a nighttime party, Françoise starts playing with Pierre, and one thing leads to another: they become lovers. After a couple of trysts, Pierre wants out, but Françoise declares her love for him and wants to tell her father about it. She does, but leaves out Pierre's name, so Jacques enlists Pierre's help in identifying who seduced his daughter. What will Pierre do?

A clique of four young teachers at a high school looks critically at their colleagues. To avoid falling in the same routine, they bring new ideas into the school lessons and play little games and pranks in their spare time -- sometimes get even more childish than their pupils. When they get opposition from the other teachers, they play tricks to get rid of them.

In the newspaper he has just founded, journalist Dolannes exposes all the wheeling and dealing and scandals that go on in his town.

In turn-of-the-century Paris, Georges Randal is brought up by his wealthy uncle, who steals his inheritance. Georges hopes to marry his cousin Charlotte, but his uncle arranges for her to marry a rich neighbour. In retaliation, Georges steals the fiancé's family jewels, and enjoys the experience so much that he embarks upon a lifetime of burglary.

Paris, at the start of the German Occupation, five men plan to sabotage a factory.

Dr. Bruno Sachs, the only medical practitioner in a small French town, seems on the surface to be compassionate and dedicated. However, in private he is not happy in his work and does not like most of his patients. Here he meets Pauline Kasser, a young woman, and they are attracted to each other...

The mysterious death of a well-known criminal sparks an investigation into national security.

Claudius finds a foal and takes it home to his boss. The men who stole the animal are looking for him. Claudius names him Champignol and trains him for racing. When he grows up, Champignol wins a regional race. But the thieves return, and Claudius is forced to do odd jobs to keep his horse.

Paul and Rene, two men in their forties weary with life. One a widower, the other is divorced and pays alimony to his ex-wife. They live together, go on vacations together. This last vacation has been a washout and so is their return.

Professor Marcilly is a famed brain specialist who, following in-depth and extended research work, is now able to perform brain transplant surgery. One day, he finds himself in the presence of a young car accident victim for whom the only hope of survival would be a brain transplant. Marcilly, who has a heart condition and is terminally ill, decides to become the "donor". The operation is a success. But who is actually the patient discharged from the hospital: a young fellow with the brain of a young man or an old man in the body of a young one?

Two young Parisians, Raoul de Gardefeu and Bobinet, are in love with Metella, a beautiful young woman aspiring to high society. Metella rejects them both in favour of a richer and older man.

An eighteen-year-old student is infatuated with an older woman, the mistress of a famous racing driver. Taking advantage of a misunderstanding between the two lovers, he manages to seduce her and falls in love.

In this political drama, five left-leaning friends gradually lose heart in the Socialist government elected in 1981 in France. One of the five men is a television broadcaster; the others are a teacher about to become an academic inspector, a tax man, the director of a cultural center, and a sociologist who is about to step into a ministerial position. Their interlocking lives are told in alternating vignettes over a four-year period, and the professions director Jacques Fansten has chosen for his main characters seem to be a comment on the media, education, budget or finance, the arts, and government bureaucracy under Socialist rule.

Circus Angel (1965): Melankolik Bir Gösterinin Ardındaki Yalnızlık Albert Lamorisse’in Circus Angel (L'ange du cirque), sirkin büyüleyici dünyasını masalsı bir melankoliyle ele alan, görsel şiirselliği yüksek bir yapımdır. Yönetmenin Le Ballon Rouge’daki (1956) duyarlılığı burada da hissedilir; ancak bu kez renklerin oyunbazlığı yerini, sirk perdesinin ardındaki hüzne bırakır. Filmin ana karakteri, sirk dünyasında bir melek gibi görünen ancak içsel olarak yalnızlıkla boğuşan bir sanatçıdır. Lamorisse’in ustalıklı sinematografisi, sahne ışıklarının gösterişli parıltısını ve kulislerdeki gölgeleri ustalıkla dengeler. Sessiz anların ağır basması, karakterin iç dünyasını seyirciye derinlemesine hissettirir. Circus Angel, sirkin sadece bir eğlence aracı olmadığını, içinde barındırdığı kayıp ruhların, kısa süreliğine bile olsa gökyüzüne yükselmek için verdiği mücadelenin sahnesi olduğunu hatırlatan dokunaklı bir sinema şiiridir.

Camille arrives in Ouessant, the island of her birth off the Brittany coast, to sell the family home. She spends a last night in the house during which she discovers a secret. In 1963 a man came to work with her father, who was the Jument lighthouse operator. He only stayed two months, but his presence proved to be a disturbing catalyst.

Vincent, a twenty-five year-old intern, lives in Rennes with his mother and his eighteen-year-old brother Bernard. In order to cheer up Bernard who has just failed his baccalauréat exam, the father invites him and his older brother to spend a holiday in his villa in Morocco, where he lives estranged from his ex-wife. Vincent and and Bernard decide to get there by sailboat, accompanied by Geneviève, Vincent's fiancée. Vincent, who has never forgiven his father for leaving him when he was a child, remains hostile and withdrawn. Once in Agadir, they take part in a regatta during which Bernard gets to know Monika, a sexy uninhibited girl. But Monika is actually attracted to Vincent who, despite his dislike for any compromise of principle, finds himself torn between two women.

A talk show presented by Michel Drucker

The series Mazarin (1978) recounts the rise of Jules Mazarin, first an Italian diplomat and later France’s chief minister after Richelieu. The story shows how he earns the trust of Anne of Austria and becomes the political mentor of the young Louis XIV. Over the course of the episodes, Mazarin faces court intrigues, the hostility of powerful nobles, and the turmoil of the Fronde, which threatens royal authority and forces him into several periods of exile. Despite pamphlets and conspiracies, he manages to restore order and prepare the emergence of the future Sun King. The series thus portrays a skilled statesman, often contested but essential in shaping absolute monarchy.

This devil of a man plunges the viewer into the very heart of the Voltaire whirlwind, that incandescent mind who shook his century. The series follows his meteoric rise, his exiles, his battles and flashes of genius, in a Europe still tightly bound by absolutism. We discover an unbowed, charming, formidable man whose pen makes ministers, kings and fanatics tremble. Between glittering salons, damp prisons and passionate loves, Voltaire crosses the Age of Enlightenment like a meteor. Each episode reveals a confrontation, a flight, a victory wrested through the sheer force of intellect. Carried by elegant direction and a sweeping, novelistic energy, the series paints a vibrant portrait of a fighter for freedom. A journey into the life of a man who never stopped thinking, loving and provoking.

A young surgeon returns to her hometown to work in the local hospital. The relationship to her ex-lover, a well-known chief-surgeon, flames up again but not with happy consequences. The old friends become rivals in personal and professional fields.

In search of freedom, Duchess Alexandra, cousin of Empress Sissi, leaves Austria and her violent husband to settle incognito in Paris.

L'Apocalypse des animaux is a six-part documentary series by Frédéric Rossif, broadcast in France in the early 1970s. It marks the first collaboration between filmmaker Frédéric Rossif and Greek composer-musician Vangelis.