Pippo Agusta
Oyuncu
Filmler9
Film7.7DramFilmde, 1860’ların İtalyası’nın hızla değişen toplumsal yapısına uyum sağlamaya çalışan yaşlı bir prensi canlandıran Burt Lancaster, statüsünü ve yaşam tarzını sağlama alma çabasıyla yeğeni Tancredi’nin (Alain Delon) zengin bir tüccarın kızı olan Angela’yla (Claudia Cardinale) evliliğini ayarlar; ve filmin final bölümünü oluşturan neredeyse bir saate yakın balo sahnesi boyunca, hem ait olduğu toplumsal sınıf hem de kendi geçmişiyle bugünü üzerine derin düşüncelere dalar. Birey ve toplum arasındaki etkileşimi büyüleyici ve görkemli bir dille anlatan böyle bir filmi, ancak Visconti gibi aristokrat kökenli bir Marksist yönetebilirdi. (Lancaster, rolünü Visconti’nin karakterinden yola çıkarak canlandırdığını söylemiştir). Aristokratların artık gücün yeni zenginlerin eline geçtiğini kabullendikleri balo sahnesi, haklı olarak sinema tarihinin en ustaca çekilmiş sahnelerinden biri olarak kabul edilir.
Film6.5GerilimSuçNino, a regular working-class guy, finds that a hitman has been hired to kill him. He discovers that a wealthy woman has been kidnapped and that everyone who was involved in it is being killed off. However, Nino had nothing to do with the kidnapping and has to find out who has sent the killers and stop them before it's too late.
Film7.4SuçDramMarco, a teacher from Milan, relocates to Palermo and takes a temporary job teaching in a juvenile detention centre while he waits for a high school teaching position. He tries to understand and motivate his handful of students, encouraging them to stand up for their rights, finding out about their histories: Natale, in for murder and enamored with the Mafia; Pietro, who can't seem to stay out of jail; Claudio, barely 14 and learning to stand up for himself; and Mery, a trans sex worker, who was arrested after a fight with a trick who didn't want to pay her, and is now stuck in a male prison.
Film6.4DramRomantikAfter having a fight with his girl friend, Marc follows her to Rome to try and win her back. On the train he meets a girl who is on her way to stay with her uncle. He gives her a lift to her uncle's, but they discover he has gone to South America. So as she has nowhere else to go, she stays with Marc and his cousin, which inevitably leads to romance.
Seven Hills of Rome
1957 · 7 votes
Film7.5SuçDramSicilian bandit Salvatore Giuliano's bullet-riddled corpse is found facedown in a courtyard in Castelvetrano, a handgun and rifle by his side. Local and international press descend upon the scene, hoping to crack open the true story behind the death of this young man, who, at the age of twenty-seven, had already become Italy’s most wanted criminal and celebrated hero.
Salvatore Giuliano
1962 · 122 votes
Film4.3DramVite perdute
1992 · 6 votes
Film6.7DramYoung men with no future have little in the present as well. Natale is released from prison: he takes up with his friends again but none can find work. Claudio, from Palermo, gets out of juvenile detention in Naples and he's met by Vita, a girl who's come from home to run away with him. Where can they go? A young dad, whose potato stall at the market is shut down because he has no permit, takes his two small children to the beach and yells at them. Mario, gay, a prostitute in drag, gets a visit from his mom; he offers tea, then finds the water to his apartment is shut off. Social workers drop by, parole officers file reports. What hope is there? What options besides crime?
Film7.2KomediSet in apocalyptic Palermo peopled by ignorant, inbred, flatulent gluttons and deformed Mafiosi, a dark comedy which centers on a poor family of three-middle aged brothers who are coerced, by local Mafia honchos, into hiding a mysterious old man known as the Uncle from Brooklyn in their home.
Film7.4BelgeselCiprì and Maresco's delicious documentary portrays Sicilian super-agent Enzo Castagna, a man with some 20,000 extras on his books, who has worked with the likes of Loren, Pasolini, Rosi, Coppola and Cimino (indeed, virtually anyone who's ever chosen to film in Palermo). It's typically weird, witty and wonderful, partly due to its subject, a self-styled 'little big man' who consents to be described as 'almighty' and 'the greatest contributor to Italian cinema in the last 35 years'. The local favourite has also done time for bribery, but refuses to comment on Cosa Nostra. The film is as astonishing as its subject. Shot in luscious b/w, it's driven forward by an offscreen interrogator who alternates between ludicrously hyperbolic flattery and forthright questions about corruption and crime. It also serves as a study of the way ethics get abandoned in the unending pursuit of fame, wealth and self-esteem.
Enzo, domani a Palermo!
1999 · 9 votes