Michel Denisot

Quotidien (nicknamed "The French Show with the Good Lighting" abroad) is a French daily infotainment television program broadcast in the early evening on TMC since September 12, 2016. The show is hosted by Yann Barthès and produced by Bangumi. It consists of segments and reports produced by the team of commentators and journalists surrounding Yann Barthès and features daily guests including newsmakers, intellectuals, politicians, and French and international celebrities.

Apostrophes was a live, weekly, literary, prime-time, talk show on French television created and hosted by Bernard Pivot. It ran for fifteen years (724 episodes) from January 10, 1975, to June 22, 1990, and was one of the most watched shows on French television (around 6 million regular viewers). It was broadcast on Friday nights on the channel France 2 (which was called "Antenne 2" from 1975 to 1992). The hourlong show was devoted to books, authors and literature. The format varied between one-on-one interviews with a single author and open discussions between four or five authors.

The guest of the day is received on a set, located in an apartment without an audience, and guided simply by the sound of the host's voice.

The series follows the adventures of lighthearted Jean-Paul Moulin, a police Commissaire, and his team as they solve crimes.

Talk show hosted by Léa Salamé, featuring incisive, funny, and surprising personalities debating current events in culture, society, politics, and the media. The set is designed as an arena where artists, polemicists, intellectuals, politicians, top athletes, and powerful figures come together. Permanent guest Christophe Dechavanne can intervene at any time during the show. Comedian Philippe Caverivière is also present with a segment dedicated to the political week and another devoted to celebrity news and social media.

A lost thirty-something shares his struggles, from failed relationships to boring jobs and pointless nights out. Stuck in his routine at first, he slowly evolves, searching for meaning in his life. In short, he's just trying to live.

Starting with easy multiple-choice questions that gradually get more challenging, contestants have only their wits and three lifeline chances to see them through to the grand prize of one million euros

A journey into the story of Michel Platini, a legend of world football, told by Platini himself and by his most illustrious teammates and opponents.

Le Grand Journal is a French nightly news and talk show airing every weekday evening on Canal+. Debuting on August 30, 2004, it was created and hosted by Michel Denisot and in 2013 by Antoine de Caunes. Originally a one-hour program, it expanded to two hours in 2005. Even though the show is broadcast on the premium channel Canal+, this is an unencrypted program. The program features news, talk, weather and comedy. The program is produced by KM Productions for Canal+ and broadcasts from the Studios Rive Gauche on Quai André-Citroën in Paris.

In May 1974, Valéry Giscard d'Estaing became President of the Republic and wanted to bring about a new era of modernity. One of his first decisions was to break up the ORTF with the creation of three new television channels: TF1, Antenne 2 and FR3. Three new public channels but autonomous and competing. It is a race for the audience which is engaged then, and from now on the channels will make the war! This competition will give birth to a real golden age for television programs, with variety shows in the forefront. The stars of the song are going to invade the living rooms of the French for their biggest pleasure. This unedited documentary tells the story of the metamorphosis of this television of the early 1970s, between freedom of tone, scandals, political intrigues and programs that have become mythical.

Lucas is an up-and-coming singer ready to do anything to be on top of the French pop scene.

It’s the story of two guys — a comedian and a journalist — who become friends and get up to all sorts of antics. It’s the story of two men reflecting their era. It’s the story of one man, Coluche, seen through the eyes of his friend, Michel Denisot. It’s the story of his Coluche.

On April 2, 1995, the television channel Canal+ censored the documentary "Pas vu à la télé" (Not Seen on TV), directed by Pierre Carles, which had been commissioned a few weeks earlier by the program director, Alain de Greef. "Pas vu à la télé" was slated to be featured in Canal+'s "TV Day" segment, under the heading "Television, Power, Morality." Carles recounted this censorship in the feature film "Pas vu pas pris" (Not Seen, Not Caught), released in theaters on November 18, 1998. It drew over 160,000 viewers. Eighteen years later, "Pas vu à la télé" remains unaired on French television. As for "Pas vu, pas pris," it has still not been broadcast on French television. However, it has been shown on television in Belgium, Quebec, and Switzerland. Since then, nine billionaires now control more than 80% of the media in France, while eleven of them account for 57% of the television audience.

A four-hour journey through the first ten years of Les Guignols. Cult sequences, historic sketches, reference expressions... offer sixty or so “Guignolized” personalities the opportunity to analyze the phenomenon or react to their puppets. Their impressions, shared with Gilles Verlant, punctuate the Night. All those who have made Les Guignols what they are today - Alain De Greef, the historical authors, puppet creator Alain Duverne, etc. - take the opportunity to reveal a few of their secrets.

Inspired by the American program Saturday Night Live from NBC, around thirty actors take part in various humorous sketches.

The romanticized life of Dorothée summarized in various sketches and songs.

A wealthy man commissions an adult film producer to craft the script for a feature-length X-rated film.