Emil de Cillia

Walter is a somewhat church-weary, washed-up exorcist who prefers to spend his free time sipping beer. His tranquil life changes when he suspects he's encountered a vampire. Disorganized, he attempts to track him down and confront him—who else would do it? The centuries-old, sinister Blood Prince, on the other hand, pompous and self-absorbed, is enthusiastic about the new world he's encountered and helpless in the face of its technological and social advancements. Times of open hostility are interspersed with moments of rapprochement, but it soon becomes clear: Vienna isn't big enough for both. A vampire film that juggles the genre's trappings with a wink, charmingly sidestepping all conventions as an entertaining comedy. Sometimes by force.

Three directors open their personal gates to hell and let us glimpse into the abyss of the human soul.

Jo, Harri, Nik and Beppo meet on a field to dig up their hidden loot. Their buddy Lenz is missing - they end up digging without his help. At the bottom of the ditch, they discover Lenz's body instead of the loot they were after. Nobody knew of the hiding place except for them - hence, one of them is a murderer. But who?

Diziye konu olan olaylarda hep tanıdık temalar hakim. Almanya’da gündelik yaşamı etkileyen ya da geçmişte etkilemiş olan her konu, dizide ele alınıyor ya da alındı: Almanya’nın birleşmesi, terör, organ ticareti, küreselleşme, ırkçılık, uyuşturucu kullanımı, çevre skandalları, çocuk istismarı, işsizlik, sanayi suçları, yaşlı bakımıyla ilgili sorunlar, ya da eş bulma hizmetleri. Gerçek yaşamdakinden farklı olarak, toplumsal ayrılıklar “Tatort”ta her zaman çözülmese de, cinayetin faili her zaman bulunuyor ve pazar akşamı herkes yatağına huzur içinde gidiyor. Edebiyatbilimci Jochen Vogel’in sözleriyle “Tatort, Alman toplumunu anlatan bir roman.”