Arturo Paglia

Tutkularından korkmayan, özgürlüğüne her şeyden fazla düşkün, otuzunda çok güzel ve entelektüel bir kadın Simona. Bu yönüyle gerçek bir dişi kurt. Aslında Simona yaşamında kendisini özgürleştiren tek şeyin tutkularına gösterdiği duyarlılık olduğunu bilen sıradan bir kadındır. Kendisini tutkularına bırakmadan önce hiçbir sahteliğin, ikiyüzlülüğün ya da boyun eğmenin arzularını kirletmesine izin vermemek için çok dikkatli davranmak zorundadır; hem birlikte olduğu erkeklere hem de kendi hissettiklerine karşı. Sınırlarını belirleyen kendisidir ve bunun hep böyle kalması için her bedeli ödemeye razıdır; çünkü sonuçta kazandığı kendi özgürlüğüdür. Seçtiği erkeklerle birlikteyken tek istediği tutkularına kendini tamamen teslim etmektir ama birlikte olduğu erkeklerin kendisini kontrol altına almaya çalışmalarına da karşı koyup sürekli kendini korumak zorunda kalır. Onun gerçek aşkı erkekler değildir.

Schizophrenic Valerio—whose existence was the bane of her sister Laura—dies after escaping from a private clinic, but his ghost keeps tormenting her guilty conscience.

The film deals with the true events which happened in 1949 in Italy, when then-schoolteacher Pier Paolo Pasolini was accused of soliciting three underage boys.

Rosario is 11 years old, he lives in the suburbs with his grandmother, a sick woman who spends time watching TV. He is the leader of a small group who spends his days between games rooms, small crimes and dangerous challenges.

Physical laws and human relations. In Terni (in the center of Italy), during a hot summer, Matteo, 30-years old with a degree in physics but unemployed gives private lessons to Elsa and Giulio. The three of them soon become friends but Matteo and Giulio also become love rivals.

An epic crime saga of power, money, violence and corruption. The mafia controls everything through local and international networks like an octopus, and anyone who tries to bring them down pays the ultimate price.

Based on a true story. On August 8, 1956, hour by hour, the story of an accident in the Marcinelle mine in Belgium. More than 250 miners, many of Italian origin, were killed.

Pina Acciai, a fortune teller dedicated to usury, is found dead in her apartment with her skull smashed in. The police try to shed light on the matter and discover that all the tenants of the building could have a motive.

Don Milani is ill, and his illness has left him with little time left to live. He returns to his parish in Barbiana and reflects on the events that have shaped his life’s journey—from the founding of the school in San Donato di Calenzano, to his teaching experience with the farmers’ children in Barbiana, to the fame and debates surrounding his methods, and finally to the writing of “Letter to a Teacher.” The backdrop is postwar Italy during the years of reconstruction, marked by social disparities and the rift between the Church and society.