Dionísio Azevedo

Based on true events, the film tells the story of Brazilian outlaw Promessinha, one of the most famous and feared criminals of his time, depicting his crimes and cruelty, until his death confronting the police.

An wealthy Italian immigrant from São Paulo, watches closely the suitors of his daughter Fiametta, whose two previous husbands "suffered accidents" because they did not bear good children. She can only get pregnant of someone who, like her, bears the blood of the rare K factor.

Returning to his homeland after many years away, Juvenal, an agricultural engineer with liberal ideas, finds himself caught up in the social unrest on the island of Madeira that preceded the 1974 revolution, which is condemned by his brother Álvaro, an embroidery manufacturer and staunch conservative. Exposed to the romantic schemes devised by Álvaro, Juvenal vigorously defends the exploited workers and is reunited with Elisabeth, the great love of his youth. Wounded while taking part in a popular demonstration that is violently suppressed by the police, he is sentenced to exile on the island of Sal. Elisabeth decides to accompany him, announcing that she is expecting his child... eternity!

Zé is a very poor man whose most prized possession is his donkey. When his donkey falls terminally ill, Zé makes a promise to Saint Bárbara: If his donkey recovers, he will carry a cross - like Jesus - all the way from his city to Saint Bárbara's church, in the state capital. Upon the recovery of his donkey, Zé leaves on his journey. He makes it to the church, but the priest refuses to accept the cross once he discovers the context of Zé's promise.

This epic Brazilian film was based on the equally epic novel by Antonio Callado. Set between 1954 and 1964, the film's focus is the saga of Jesuit priest Nando. Fed up with civilization, he ventures deep into Amazon country to live with and work among the Xingu Indians.

The life of Fernão Dias, a 17th century Brazilian frontiersman known as "the Emerald Hunter".

The story of how D. Pedro I proclaimed the Brazilian independence on September 7th, 1822, and rose from prince of Portugal to first emperor of Brazil.

On the eve of the premiere of a theatrical superproduction in the city of São Paulo, the assembly team performs the last dress rehearsal. But, mysteriously, the four leading actresses are poisoned. Now, the police will investigate each person related to the play to find out who caused the tragedy.

A pastor and a priest compete for the religious leadership of the population of a small town. When the pastor tries to prevent his sister's involvement with the sacristan, he accidentally starts the rumor that the church houses a miraculous statue of St. Francis.

Nhô Quim has only one dream in his life: to eat red meat. He meets Carula, a young woman anxious to get married, who promises him that in their wedding her father will kill him an ox. But, before that, Nhô Quim must pass a series of tests.

After killing a troublemaker, Cristino flees to a town in the Northeast and is forced to join Lampião's gang, where he becomes his right-hand man, under the name Corisco, the Blond Devil. He falls in love with Dadá, a farmer's daughter, and takes her with him by force. Gradually, she learns to love him, and they live together for 13 years in the cangaço. Corisco escapes the Angico massacre but is captured by Lieutenant Zé Rufino's volante after beheading the family of Lampião's informant. Dadá and Corisco, on the way to hand them over to the authorities, reminisce about the adventurous adventures of their lives.

A 1976 crime film

Meant principally for a sympathetic audience, whether Catholic or not, this routine story about a priest's receiving the call to the cloth may be a bit slow and theatrical for some viewers. Directed by Lima Barreto, the tale is told in a series of flashbacks as the priest remembers how he was transformed as a child into a person willing to give his life in service of the church and his God. Barreto also scripted the story, which in the end, may be too filled with religious platitudes and preachy overtones to effectively convey its message.

Two stories chronicle the days of the bohemian, libertine youth of 1960s Rio de Janeiro.

The story of how a quarrel between families set poor farmer Virgulino Ferreira da Silva on the path to become Lampião, the greatest leader of the cangaceiros - bandits who roamed the Northeast of Brazil until the late 1930s.

A terrible monster threatens the beach season: the cod from Guinea. To catch the fish, local authorities count on the expertise of a Portuguese oceanographer, a fearless fisherman, and baits made with Amália Rodrigues's records.

A film that records the rehearsals of a Brazilian theatre troupe directed by Victor Garcia, and then the conflicts that break out as they tour Iran and France with a performance of Calderon's autos sacramentales. A problem with a scenery prop sparks a crisis in the group and the film chronicles this disaster.

Set in Brazil, this drama is based on a short story by Oscar Wilde about a fisherman who meets and falls in love with a mermaid, giving up his soul in the process.

A small town in Brazil is the background for this thriller about a murder, disclosing corruption among the leaders of the region.

Colonel Epaminondas is a retrograde and authoritarian man, who commands and dismantles the region. He declares war on Pedro Galvão, his main rival, when he donates part of his land – purchased from the colonel – for the construction of a church and a school. The arrival of professor Juliana, right at the beginning of the plot, changes the lives of the residents of the small village. Juliana takes over the school and ends up arousing the interest of Fernando, Epaminondas' son. Oblivious to the fights that drive the story are Pituca (Patrí and Serelepe (Aires Pinto). The friendship between the two children, however, does not please the colonel, who is always fighting with his daughter. 'Meu Pedacinho de Chão' was co-produced and shown simultaneously by Globo and TV Cultura in São Paulo.

After his grandfather's death, André Cajarana goes to Rio de Janeiro to understand the death of his father—whom he had always believed to be a hero—and to try to prove his innocence.

To defend the humble Soró Sereno in a traffic accident, the mysterious Ciro Cerqueira, a bus driver, ends up getting involved with the traditional italian family of Mamma Vittoria Cantarelli, owner of a chain of canteens in which he starts to work as an executive, and is torn between the love of the matriarch's granddaughters, the responsible Luísa and the seductive Bruna, a woman who spares no effort to get what she wants.

In 1970, during a glittering New Year's Eve party attended by the aristocracy, a young pantry maid named Zaíra is mysteriously murdered. Thirteen years later, the prime suspect—Gastão, a humble waiter and former colleague of the victim—seeks to prove his innocence with the help of his son, Nil, becoming entangled in the lives of the other party guests. The story also follows a cunning pair of jewel thieves: the sophisticated Antônia Regina and João Maria—a criminal lawyer and member of the declining aristocracy who takes up the cause of Nil's father.

A hardworking market vendor, Mrs. Xepa faces many sacrifices to raise her children alone. However, as they achieve social advancement, they begin to feel ashamed of their mother.

The miniseries tells the story of Leninha, who marries Paulo due to a financial agreement made by her father, Dílson. Her life changes when she meets her brother-in-law, Mauricio, during a trip to her husband's farm in the interior of Rio de Janeiro. The two fall in love and become lovers. Leninha then begins to experience a great conflict: social and moral rules impose on her the behavior of a good wife, faithful and companion, but her desire for Maurício speaks louder. Consuelo, mother of Paulo and Maurício, realizes what is happening and begins to antagonize her daughter-in-law. Upon discovering the betrayal, Paulo starts to hate his brother. At the end of the plot, Leninha decides to stay with her husband, and the couple happily announces that they will have a child. Mauricio despairs, but later recovers in Regina's arms.

Sua Vida Me Pertence was the first in a tradition of telenovelas in Brazil. Broadcast by TV Tupi in São Paulo in black and white in 1951, it pioneered the genre worldwide, and featured Brazil's first on-screen kiss.

The miniseries addresses the difficulties in romantic relationships through the story of five middle-class couples with different views on marriage, love and fidelity. The protagonists, housewife Alice (Marília Pêra) and dentist Jorge (Cláudio Marzo), married for eight years, seem like a perfect couple. However, the union is in crisis because they are unable to have a child. Jorge discovers that he is sterile and, disappointed, does not reveal the fact to Alice, who suffers from not being able to get pregnant. The relationship becomes increasingly difficult due to the lack of dialogue and they become violent towards each other. A murder connects the plots: in the first chapter, the viewer learns that there was a crime, but does not know who the victim is: Jorge or Alice. The mystery is only revealed in the last chapter, when it is discovered that Jorge is the murderer.