Beatrice Palme

Artık ünlü bir yönetmen olmuş Salvatore, 30 yıl sonra bir arkadaşının öldüğü haberi üzerine doğduğu kasabaya geri döner. Kasabaya geldiğinde eski anıları canlanan Salvatore, Cinema Paradiso adlı sinemada projeksiyoncu olarak çalışan Alfred ile ilişkilerini hatırlar. Küçük bir çocuk olan Salvatore, günlerini Alfred'in yanında geçirmekte, filmlerle ilgili konuşmakta ve Alfred'in sinema konusunda deneyim ve bilgilerinden yararlanmaktadır. Babacan tavırlarıyla Salvatore'nin hayatında önemli bir yere sahip olacak Alfred sayesinde sinemaya olan aşkını ve tutkusu keşfedecektir.

Güneybatı ABD'de Jeep CJ Renegade'i ve "Joe Brown" adlı atıyla seyahat eden Luke, hapisteki arkadaşı Moose'nin oğlu Matt'le tanışır. Moose, Luke'tan Matt'e bakmasını ve ona bir araziyi almasında yardım etmesini ister. Böylece macera dolu bir yolculuk başlar...

Saverio and Filippo are two friends and religious leaders of a travel agency in Rome. However, Filippo has trouble with his wife, because she finds out that he cheated on her with a comely girl named Alice.

A seductive femme fatale (Monica Bellucci) and two con men -- one cool as ice, and one who just likes to "ice" his victims -- enlist a mild-mannered, unsuspecting man in their mission to steal a rare and valuable fish. They plan to sell it back to its grieving owner at an enormous profit (talk about "sleeping with the fishes!"). Tcheky Karyo, Michel Muller and Dominique Pinon co-star.

Ovidio is a bored and tediously repetitive middle-school teacher, an easy target both for his students’ disgusting pranks and for the principal’s reprimands. The monotony of his yawning days is unexpectedly broken when, after twenty years of absence, his twin brother Raf turns up: an overexcited, down-and-out singer who performs for a few small-time, undemanding audiences in shabby venues on the outskirts of town. Without so much as a by-your-leave, Raf moves into his brother’s home and lives off him, shamelessly playing the part of a carefree rogue while dragging Ovidio into a series of embarrassing misunderstandings.

Şair, yönetmen, gazeteci ve aydın olan çok yönlü sanat adamı Pasolini, İtalyan sanat ve siyaset çevrelerinin de en tanınmış isimlerinden biri olarak görülüyordu. Öldürüldüğünde, hakkında bazı söylentiler ve cinayetle ilgisi olabilecek şüpheliler ortaya çıkmış, fakat gerçek katil asla bulunamamıştı. 2005 yılında, bazı yeni kanıtların ele geçmesiyle birlikte cinayet dosyası yeniden gündeme geldi. Yönetmen Abel Ferrara, bu çok yönlü sanat adamının son günlerini siyaset ve sinema tarihini harmanlayarak ele alıyor.

Lionel has a way with women. His sexual exploits make his friends jealous. One of them, Alain, challenges him to seduce a beautiful woman picked at random, fall in love with her and spend a night with her — but abstain from making love.

Marquise is a drama about the rise and fall of a beauteous actress. As cheerfully portrayed by Sophie Marceau, the eponymous heroine is an engagingly ribald, but perhaps rather too modern, character. She rises from an impoverished background to become a favourite of the Sun King, Louis XIV, and the mistress of the celebrated Racine, who wrote roles especially for her; but her fate, in the end, is a tragic one.

A young African salesman is trying to do business in a marketplace where a policeman, disguised as a cigarette salesman, is trying to foil a robbery in a shop.

A mysterious killer eliminate the singers of a brand new music Festival in Naples. Some journalists will try to discover who is that murderer who seems to be obsessed by the song "Funiculi, Funicula".

Private detective is hired by rich man to find his niece, who has disappeared while traveling in Europe.

After his father's death, a middle-aged screenwriter struggles with his obsessions and neuroses.

It is in the late 1930s, and Cesare Pavese, a writer, with two of his friends meets a very uninhibited noble couple.

In the 1770s, Swiss farmer Johann Heinrich Pestalozzi established a school for poor orphaned children in the Aargau. Up to total exhaustion he sacrificed himself for his pedagogical theories. Five years later, the project of the idealistic educator failed after bloody attacks of the French. In retrospect, the disappointed Pestalozzi experiences the last few months with "his" children.

A businessman has trouble reuniting with his roguish con-artist uncle, especially when the uncle propositions school-age girls and comes on to his nephew's mistress.

A passionate affair set against the intense encounter between a film-maker and a novelist. The story begins with young scriptwriter François tracking down the author of a once-scandalous novel. His aim is to adapt the work for the screen but several elements of the novel he finds difficult to comprehend. The author, Jeanne, is initially cautious of relaying information, insisting the presumably autobiographical book in no way relates to her personal life. However, eventually she takes the man into confidence to tell the background of Benvenuta.

Over a long weekend, a group of friends gathers together, a diverse representation of the last twenty-five years of the Italian left. Some of them haven't seen each other in a long time; the occasion is the release from prison of a former friend and comrade, accused of killing a judge in the 1980s. Roberto Ferro is on parole and wants to know which of his former comrades reported him. Among the friends, some have achieved privileged positions; others, like Nanni and Malena, have adapted to a more modest life and have retained, at least in part, the ideals of their youth. Malena, an Argentine exile who experienced torture at the hands of the military, had a love affair with Roberto and, before that, a strong bond with a disappeared comrade. Roberto's return reignites personal and political conflicts within the group.

The stories revolve around the investigations of Valentina Rosselli, and the intrigues in which she gets involved because of her curiosity and her wonderful physical appearance. In the Shareholders She is often assisted by the antiquarian Philip Rembrandt, with whom she shares an ambiguous relationship.