František Vláčil

The movie's main storyline follows the life of Otík, a young man, in a tight-knit village community. The sweet-tempered Otík works as an assistant truck driver with Mr. Pávek, his older colleague and practical-minded neighbor. Pávek's family takes care of Otík, whose parents are dead. However, the two coworkers become at odds over Otík's inability to perform even the simplest tasks. Pávek demands that Otík be transferred to assist another driver, who happens to be a choleric and suspicious man named Turek (Turk in Czech). Rather than work with Turek, Otík decides to accept an offer of employment in Prague, but finds he does not fit in to the city life. After discovering that the transfer of Otík to Prague was a trick by a crooked politician to get a deal on Otík's large inherited house, Pávek agrees to give Otík a second chance and retrieves him from the city to resume their work together.

The 50th anniversary of the Barrandov studios was celebrated with a spectacular show: many directors and other important people gathered in the expensive decorations of the Variety Theatre auditorium (built for the Circus Humberto series). They smiled and showed well-deserved relaxation after a job well done in managing socialist cinema. Vladimir Sís interspersed this with excerpts from films, mainly his own and also a little of others who had worked on the "Hill of Dreams".

An episodic film about the inhabitants of Kersko, their hardships and their joys, most prominently hunting. A lyrical and humorous adaptation of writings by Bohumil Hrabal.

Documentary about the making of the 1967 Czech film "Marketa Lazarova".

Five short stories: The Master and the Twentieth Disciple; Every Week is Sunday; It's Boniface's Fault; The Raggedy Song; The Spider's Web.

In the Hussite times, religious truth was sifted even on the tips of weapons. When in 1430 the Hussites set out on a raid to Nuremberg, the so-called Spanila Cavalry, to defend their doctrine, the young commander of the cavalry, the landowner Keřský, whose bride had once been kidnapped by a vicious crusader, saw it as an opportunity for personal revenge. Although Oldřich Daněk has tried to establish a distinctive interpretation of historical events, he reflects on where the blinded desire to punish a bad deed with further cruelty leads, but his version seems too thesis-like and lifeless, it does not rise above the descriptively illustrated scenes from old Czech chronicles...

Television series Golden Sixties examines new insights into Czech and Slovak cinema of the 1960s and the role of the Czechoslovak New Wave. Each episode focuses on a different filmmaker.