Alina Chernobrovkina

Vampires appear in the Russian Empire of the 19th century. Count Draculov, originally from distant Transylvania, decides to buy a new mansion in Moscow. The deal is led by a young lawyer Pyotr Smirnov. During a conversation with the customer, Peter accidentally takes out a photograph of Varvara's bride, which the count immediately liked. Draculov leaves Petya in the mansion under the supervision of werewolf harlots, and he goes to Moscow in search of a girl. Peter goes on the trail of the count to protect his bride from a three-hundred-year-old vampire. The son of the famous professor, Vasya van Helsing, is trying to figure out all the further tangled events.

In the center of the story is the story of two people. He is the conductor of the famous symphony orchestra, giving a concert at a Russian military base. She is a journalist who came to make a report from the scene. From the first minutes of meeting them, feelings flare up, but their first romantic evening in a distant foreign country becomes the only one and completely changes their life. The hotel is captured by terrorists. For the main characters begins a real hunt. The only hope for salvation is the ex-husband of a journalist. Only now, the recently separated spouses have a tough and insoluble conflict. Now the fate of the heroes is in the hands of the one who always dreamed of revenge.

In order to bring down the shares of the TV channel, the board of directors decides to put a gas station attendant in the CEO's chair and entrust him with the filming of the series. In a short time, the would-be boss manages to create chaos on the air and establish his own rules in the media business. But suddenly, the series, which was supposed to be the greatest failure, begins to have a tremendous success…

A sensational theatrical event has been taking place in Moscow and St. Petersburg for the past year. Despite the multimillion-dollar ticket price and only one seat in the hall, there is no shortage of people who want to. Of course, because the unique format blurs the boundary between fiction and reality. You can be here, not appear. Here you can safely expose the problems of society and be inside society. Each performance is a piece―by-piece work created for a specific audience and thought out to the smallest detail by a whole team of screenwriters, psychologists and actors under the guidance of a talented director who has already staged 11 successful performances in a row.