János Kulka

'Gün Işığından Bir Damla" adıyla yarattığı iksir sayesinde servet sahibi olan büyükbaba Sennenschein (Sunshine) oğullarının aile işini devam ettireceğini ümit etmektedir. Ancak oğullarının ve ailenin yeni kuşağının çok farklı hayalleri ve umutları vardır. Ralph Fiennes, savaşın karışıklıklara ve yanlış umutlara Sürüklediği Yahudi bir ailenin bu destansı hikayesinde karşımıza bir değil üç aynı rolle çıkıyor. Yapımda Fiennes'e özgürlüğüne düşkün genç Valerie rolüyle Jennifer Ehle, Valerie'nin yıllar sonraki hali ile Rosemary Harris (Ehle'nin gerçek annesi) ve savaştan sağ çıkmayı başarmış, yeni komünist göreviyle geçmiş düşmanları üzerinde güç sağlamış olan bir adamı canlandıran William Hurt eşlik ediyor.

İsa'yı Doğuran Meryem, bu güne dek pek çok kez filme aktarılan büyük hikayeye farklı bir yönden bakıyor. Melek Cebrail, 16 yaşındaki genç Meryem'i ziyaret eder ve Tanrı'nın Oğlu'nu doğurmak için seçilmiş kişi olduğunu söyler. Müjdelenen çocuk, Betlehem'de doğar. Filmde, bir haçta son bulup yeniden dirilecek olan; Tanrı sevgisi, inanç ve insanlık için adanmış bir ruhun öyküsü, bakire Meryem'in gözlerinden anlatılıyor.

Budapeşte metrosunun karanlık dehlizlerini mekân tutan "Kontrol", bir grup bilet kontrolörünün yeraltında yaşadığı olaylara kara komedi türünde odaklanıyor. Bu genel tarife rağmen, aslında filmi bir türe sığdırmak pek olası değil. Luc Besson’un Metro’sundaki koreografiyi hatırlatan tavrıyla muhtelif insan portrelerine yer veren filmde, ortam yine alternatif bir yaşam ünitesi olarak sahneleniyor. Lakin esas mevzu, sembolize ettiği üzere, “araf” misali bir yerden bir yere geçiş hali, platformu olması. Bu ilk uzun metraj filmiyle ülkesinde gişe başarısı da yakalayan 30 yaşındaki Macar yönetmen Nimród Antal’ın derdi açık; kaos çivisi çıkmış dünyamızın, yeryüzünün sembolik bir resmini çizmek.

Three women from three generations are forced together, mentored by an old diva and a transvestite, to form a band. They are successful on stage, but off of it they are not getting along at all.

During the Cold War, the secret service of Kádár began a more dangerous state security game than ever before.

An established dystopian sport has drivers of a computerized truck driving cross-country to a terminus. The lead truck, created by a boy genius, is driven by a woman. When the computer guidance system fails, she ends up in uncharted territories and encounters leather-clad hoods who torture her. Meanwhile, a mysterious doctor seems to have another plan in mind.

A young farmer in his thirties lives in deep poverty with his wife and children on a farm far away from the village. The driest summer of his life endangers everything he had built and created.

In trying to bring a former concentration camp commandant to justice, Nazi-hunter Simon Wiesenthal uncovers the tragic story of two lovers separated by the war.

1956. Bébé is a painter, but he has not worked for years. The news arriving form Paris about the death of his childhood friend, Halász Petár affects him deeply, but his reflections are continually disturbed by telephone calls: the Alliance for Fine Arts wants to purchase one of the popular self-portraits of Halász.

Would you believe in a policewoman who suffers from such serious panic disorders that she is afraid to get close to any crime scene and has been on permanent office duty for more than a decade? Would you believe a lone mother who is unfit to pay her mortgage and also raise her rebellious teenage daughter? Indeed, no one believes that the troubled ex-detective has discovered a serial murder case. Personal dramas and a murder mystery unfold in present-day Budapest, where demonstrations are part of the pre-election life of a city still trying to cope with the shadows of its historical and recent past. It is a city where nothing seems honest and true, except through the eyes of an emotionally unstable policewoman and her misfit daughter who wants to know who her father truly was.

People say the true love lasts longer than life, but they don't mean it, and they are right: love ends when life does, except if it isn't.

Drop dead please! Following the sudden death of a mysterious engine driver in his sixties, the Wife, the Lover, her illegitimate Daughter and an increasing number of shady characters from his spurious past want to know the true identity of the man they loved. They are dying to know which of them was really loved by him, and where he has hidden the fantastic fruit of his double life. In their deadly struggle, our heroes find themselves in the center of a satirical crime comedy, the sinful roots of which stretch back to the eighties, the closing decade of the socialist era.

A young Los Angeles club DJ, caught between the wishes of his overbearing father and his dreams of musical freedom, uncovers danger, music, a dark family secret and the girl of his dreams, while navigating the sexy and often dangerous streets of Budapest's famous night life.

The story of three women - a famous prostitute, her housekeeper and their new maid - living in Budapest of 1910s, whose passionate, bizarre and complex relationship can only lead to one thing: murder.

Szarka and Barbi, two 17 years old girl travel to Europe to find love and happiness. The vacation starts bad, they lose all their money, but they don't wanna go home.

Gábor (Ervin Nagy) profesyonel bir dolandırıcıdır Kurbanları ise yalnız ve paralı kadınlardır Bir gün güzel balerin Hanna (Gabriella Hámori) ile tanışır Hanna zengindir ve uzun zamandır ara verdiği mesleğine geri dönmeyi planlamaktadır Gábor, Hanna'nın ilgisini çekmek için bildiği tüm numaraları sergiler Ancak bir süre sonra söylediği yalanlar o kadar büyür ki, işin içinden çıkamayacak hale gelir

The 'National Documentary' captures the last months of the National Theater led by Róbert Alföldi. The film presents two opposite processes: the rehearsal of the play Mephisto, Alföldi's last direction and, in parallel, the dissolution of the troupe.

The film is about Little Vuk, the son of the legendary fox who proves its excellent mind and courage.

A murder mystery set in 1936 Budapest, just as Hungary was preparing to align itself with Hitler. A beautiful young girl is found dead and nobody wants to investigate—except Gordon, a crime reporter who has a gut feeling that things are not what they seem.

Budapest, Hungary, Christmas 1957. The state, insecure after the defeated revolution of 1956 and increasingly put under the influence of a renewed Stalinist atmosphere, has decreed that all security officials must pass an exam to verify their loyalty. But to be actually effective in a shadowy world where suspicion and secrets reign, the subjects must be unaware that they are being tested.

One of the doyennes of Hungarian film deals with a dark period of national history: the Soviet regime in Hungary. She portrays it through the fate of the former prime minister and national hero, Imre Nagy. The script is based on the diary written by Imre Nagy, and the memories of his daughter, Erzsébet Nagy, as well as authentic documents and records.

Tibi and his small‐time crook crew haven’t grown wiser in ten years and are hired by a shadowy Japanese syndicate to steal a priceless data drive. Clueless about IT, they drag along a computer‐science teacher, only to trigger revenge from a Roma mafia boss, face off against Japanese hitmen and even anger the Slovak army. As their dream of escaping to a Malibu beach with the loot fades, Tibi’s street smarts might be their only hope.

Szomszédok was a Hungarian television series, occasionally called the Hungarian Dallas, that ran from 1987–1999 and produced 331 episodes, airing its grand finale on December 31, 1999. The series was a soap opera, dealing with the lives of ordinary people, living and working in or around an average lakótelep. Its characters were explored, over time, in equal depth: ranging from elderly pensioners, busy middle aged professionals, up-and-coming young people, and children growing into their teens. Many consider Szomszédok to be the definitive Hungarian television series, being a period piece of sorts that covers the last few years of the communist era, the rendszerváltozás, and nearly a decade of the new market economy Hungary thereafter.