Francesca Archibugi

After shooting to fame with Federico Fellini’s “La Dolce Vita” (1960), actor Marcello Mastroianni (1924-1996) starred in more than 160 films in his nearly half-a-century career. Directors Mario Canale and Annarosa Morri look into the melancholic charm of one of the most famous Italian actors through interviews with his two daughters, Barbara and Chiara; directors Fellini and Luchino Visconti; actresses Claudia Cardinale and Anouk Aimee; and in archival footage of Mastroianni himself. The subject matter ranges from Mastroianni’s passion for kidney-bean pasta and his addiction to the telephone to his famous laziness, humility and talent. Shown in black-and-white, Mastroianni — elegantly holding a cigarette in between his fingers — is undeniably the dandy.

Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.

Young terrorist Laura shoots both a judge and a comrade, and over time her violent act becomes a thread linking the lives and fates of several other women. Each has her own secret, including the lawyer who listens to Laura as if in a ‘trance’: moments before, she discovered her husband was cheating.

A portrait of the mythical Italian actor Marcello Mastroianni (1924-96), a unique performer who was one of the kings of European cinema.

Documentary about Italian screenwriting legends Agenore 'Age' Incrocci and Furio Scarpelli.

With her father on trial, 15-year-old Mignon leaves Paris to stay with her Italian relatives. The rather prim, snooty teen at first struggles to fit in with the more earthy Forbicioni family, each with their own problems. Eventually she bonds with her lovestruck little cousin Giorgio—who'll learn important life lessons over the course of his summer with Mignon.

Who is the mysterious stranger Cecilia met on the street? Why is he suspicious of everyone? She is happily married, has a lovely child and a good job: yet she decides to join him and to become his lover, sharing his destiny right up to its tragic conclusion.

A portrait of Laura Betti with archival footage and stories of friends: Bernardo Bertolucci remembers Laura in "Novecento" and in a lost sequence of "Last Tango in Paris", Giacomo Marramao and Walter Siti dwell on the relationship with Pier Paolo Pasolini, Francesca Archibugi remembers a precious friend, Michelle Kokosowski and Jack Lang talk about the successful and mutual love for France, Piero Tosi and Paolo Poli remember her youth, Jacqueline Risset her private life, Valentino Parlato her civic passion, Renato Nicolini recaps her difficult relationship with institutions, Filippo Crivelli remembers the singer. Views that seek to reconstruct the figure of an exceptional artist, unusual and contradictory.

Registe, talking on a blade is an Italian documentary about the Italian Cinema signed by women and about the pioneer of the Silent Cinema Elvira Notari (1875-1946) plays by Maria De Medeiros. The directors interviewed are the most important Italian women directors: Lina Wertmüller, Cecilia Mangini, Francesca Archibugi, Francesca Comencini, Wilma Labate, Cinzia Th Torrini, Roberta Torre, Antonietta De Lillo, Giada Colagrande, Donatella Maiorca, Ilaria Borrelli and others.

A Count marries a woman with illness that makes her suffer attacks of vampirism. The Count took flight in the wildest horror, and ran, without any idea where he was going or what he was doing, impelled by the deadliest terror, all about the walks in the park, till he found himself at the door of his own Castle as the day was breaking, bathed in cold perspiration. Involuntarily, without the capability of taking hold of a thought, he dashed up the steps, and went bursting through the passages and into his own bedroom.

2049. Emanuela Fanelli is 63 years old and lives alone in a small isolated mountain village in Valle d'Aosta. She doesn't act anymore, she shied away from cameras and has been forgotten by the showbiz. Through a ironic and speculative tone, Peccato interrogates on the reasons of the actress' retreat, by a "what if" narrative that goes back through Fanelli's carreer and the mysterious scandal that caused her downfall.

Italian TV mini series

A three-episode adaptation of Goethe's novel.