Louise Rinfret

A detective investigating the death of a heroin-addicted prostitute uncovers evidence pointing to the existence of a murderous devil cult.

I give a methodical account of my film work: the creation of new series (Lire, Trio, Avec Mariola), the shooting of a new feature film (Amours décolorées which will take ten years to edit) with Mariola San Martin.

The true identity of an undercover RCMP narcotics agent is discovered by the criminals he is investigating and his family pays the price.

A woman is overwhelmed with having to deal with her emotionally unstable daughter, mentally-challenged brother and two suitors while simultaneously trying to run her small firewood business.

When 24 year old apiring actor Mathieu meets and falls for 39 year old Jean-Marc who has just ended a seven year relationship, things are not all roses. In addition to their age difference there's the matter of Mathieu's five year old son from a previous marriage.

Host Guy A. Lepage brings together six to eight personalities from different milieus—sports, politics, stage productions and more—that are the subject of everyone’s conversations and/or are important figures in recent events. Participants are invited to speak freely, voicing their opinions on headline news or on a subject that is near and dear to them. 

La Petite patrie was a French Canadian television programme from Quebec. It was broadcast between 1974 and 1976. This television serial of Claude Jasmin told the life of a district of Montreal formed by the quadrilateral of the streets Saint-Denis, Beaubien, St-Hubert and Bélanger the shortly after the war. The main character and narrator of this television serial was Clément Germain, adolescent of 17 years who lived in this district with his family. Through the memories of Clément, viewers discovered this neighborhood during the years of Duplessis; with its trams, its ice deliverymen, its guénillou and its anglophone Chinese launderer among others. At that time, bread cost 5 cents, Maurice Richard was at the peak of his glory and the Rivoli theatre had not yet been replaced by a Jean-Coutu.