Anthony Dowell

Valentino, 1920'lerin en büyük film yıldızıydı, erotizmin sembolüydü; kadınlar onun ayaklarına kapanır, erkekler ise ona bir kahraman gibi saygı duyardı. Kariyerinin zirvesindeyken, 1926 yılında, henüz 31 yaşındayken öldü. Filmin hikayesi Hollywood'da başlar, yıldızın cenazesine büyük bir kalabalık toplanmıştır. Sansasyon peşindeki gazeteciler, Valentino'nun hayatına tanıklık etmiş kişilere saldırır, belki birkaç ilginç hikaye öğrenebilirler diye. Bu anlatılanlar üzerinden, inanılmaz bir kariyer hikayesi ortaya çıkar: Bir dansçıdan nasıl dünyanın en büyük yıldızı haline geldiği anlatılır. Mücadeleler, aşklar, erotizm, sapkınlıklar, zulümler, skandallar, çifte evlilikler ve tutuklamalarla dolu bir hayat...

Nikiya, a temple dancer, is in love with the warrior Solor. The High Brahmin also desires Nikiya, and when she rejects him, he plans to take revenge on Solor. When the High Brahmin tells the Rajah about Solor’s secret love, the Rajah decides that Nikiya, not Solor, should be killed. Princess Gamzatti is to be married to Solor. She overhears and tries to bribe Nikiya to give up Solor, but Nikiya refuses. The Rajah and Gamzatti arrange for Nikiya to be killed by a snake bite during the engagement festivities. Despondent, Solor is filled with remorse and haunted by visions of Nikiya. He cannot complete the wedding ceremony. The gods are angered and destroy the temple with all inside it. In the afterlife, Solor and Nikiya are finally united.

A musical salute to The Beatles.

A re-staging of the Royal Ballet's 1985 production, with Anthony Dowell - this time as Drosselmeyer - and a new supporting cast. This Royal Ballet production of The Nutcracker (staged by Peter Wright) is a mix of the Balanchine and Vainonen schools of the Nutcracker. The Balanchine version of the Nutcracker emphasizes the child s fantasy: a land of sweets, with comic relief. The Vainonen Nutcracker emphasizes the romantic dreams of an adolescent.

Cinderella is helped to the ball by her fairy godmother in The Royal Ballet's version of the classic fairy tale, using Sergei Prokofiev's music and Frederick Ashton's choreography in a comic ballet.

The Sleeping Beauty unites Petipa's demanding but enchanting choreography with Tchaikovsky's wonderful score in one of the best-loved of all classical ballets. This recording of Anthony Dowell's 1994 production for The Royal Ballet, with designs by Maria Björnson, features an outstanding cast led by Viviana Durante as a radiant Princess Aurora. She is partnered by Zoltán Solymosi as Prince Florimund and Anthony Dowell himself is a glitteringly elegant embodiment of evil as the wicked fairy Carabosse. The Royal Ballet, exceptional as ever, is accompanied by the Orchestra of the Royal Opera House, deftly conducted by Barry Wordsworth.

A ballet version of the famous classic by Sergei Prokofiev, with narration by Anthony Dowell, who also dances the role of the Grandfather.

The Prince of the Pagodas is a ballet created for The Royal Ballet by choreographer John Cranko with music commissioned from Benjamin Britten. Its premiere took place on 1 January 1957 at the Royal Opera House, Covent Garden, London, conducted by Britten

Classic ballet by Kenneth MacMillan to the music of Prokofiev.

Sir Peter Wright’s 1984 version of The Nutcracker for The Royal Ballet, still performed by the Company, stays close to Hoffmann’s original tale. It emphasises Drosselmeyer’s mission to find a young girl – Clara – who can break the curse imposed by the Mouse King on his nephew Hans Peter and thus restore him to human form. References to Nuremberg and German Christmas traditions are present in the settings, with a kingdom of marzipan featured in Act 2.

The Royal Ballet's 1980 production of Tchaikovsky's classic ballet.

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