Caroline Ferrus

Fransız gangsterlerin sonuncusu Jacques Mesrine, yaşamı boyunca 1 numaralı halk düşmanı ilan edilmişti. Düzenli olarak kamuoyu anketlerinin zirvesinde yer aldı. Paris'in göbeğinde polisin yakın mesafeden yoğun ateşi altındaki görkemli ölümü onun efsane statüsünü taçlandırdı. Öyle ki, 1979 yılındaki ölümünden 30 yıl sonra bugün bile Jacques Mesrine efsanesi hala capcanlı. Onun hayatı sinema tarihinde ilk kez olarak tutkulu bir projeyle beyazperdeye getiriliyor. Aynı anda hem bir gerilim filmi, hem de biyografi çalışması olan projenin çekimlerinde tarihi gerçeklere olabildiğince sadık kalındı. Mesrine'den bir süper kahraman yaratmak gibi bir amacı olmayan filmde, en karanlık yönleri de dahil olmak üzere bir karakter portresi çizildi. Öykünün çıkış noktası ise, bir ikonun arkasındaki insan oldu.

Hidden in Rome, King Arthur is planning his return to oppose the army of his former friend Lancelot.

Third and final film in the Kaamelott franchise.

Sylvie lives with her two children whom she’s raising on her own. One evening, there’s an accident, and her youngest son is removed from her care. Sylvie must subsequently fight to get her son back and to keep herself afloat.

Between her roles as mayor and teacher in the small village of Kerguen, Alice's days are very full. When an unexpected new student, 60-year-old Emile, finally decides to learn to read and write, her daily life threatens to become unmanageable. Especially since Alice will also have to save her village and her school...

The 1960s opened with La Dolce Vita by Federico Fellini and its unforgettable lead: Marcello Mastroianni. The actor seemed to glide effortlessly through his roles — and through life — as if to say that life is not all that serious, or perhaps that it is far too serious not to be laughed at. But what kind of man was hiding behind the actor with the handsome, boyish looks, who appeared so gentle and nonchalant?

Donovan, a young bodyguard, is mandated to protect a minister’s wife during her holidays in a seaside estate, while violent riots are taking place in the same area. In that luxury environment, Donovan tastes a lifestyle he never experienced before…

An approach to the life and extravagant career of the German painter Albrecht Dürer (1471-1528), genius of the Renaissance, through the analysis of twelve of his self-portraits.

Inspired by a book by Serge July, Le Dictionnaire amoureux du journalisme (A Lover's Dictionary of Journalism) is a declaration of love for freedom of the press, which underpins all other freedoms. This immersion with journalists at the heart of the stories they have covered brings to life often deeply moving investigations. Above all, it explains what a journalist is, what drives them, and what we owe them.

Pauline and Noham love each other madly. When Pauline's mother tells her that they are moving to Paris, Pauline, incapable of being separated from Noham, decides to stay in her home town. Except there is a slight problem: Pauline is only ten years old.

Faced with the relentless and unstoppable advance of the Soviet Red Army, from the spring of 1944 until the capitulation of the Third Reich in May 1945, the Nazis evacuated the labor, concentration and extermination camps, factories of pain and death which, during years of nightmare, they had established in the occupied eastern territories. Forced to travel enormous distances, thousands of people died along the way from hunger, thirst and exhaustion.

Éva, thirty-nine, lives alone. She would like to have a child. She may not have much time left. A gynecologist has just told her that her ovarian reserve is deplorable. The countdown begins. But she's instinctive, a bit messy and her battle plan lacks precision.

Kaamelott is a French comedy medieval fantasy television series created, directed, written, scored, and edited by Alexandre Astier, who also starred as the main character. The series, which originally ran for six seasons (referred to as 'books'), ran from January 3, 2005, to October 31, 2009, on M6. In this offbeat account of King Arthur's quest for the Grail, virtually every journey, battle or adventure is stopped dead in its tracks by the knights of the round table's most worldly traits: cowardice, greed, idiocy or misplaced chivalry. As a consequence, instead of epic adventures we are treated with the characters' pragmatic and anachronistic take on each and every event in the Grail legend, true to the purest sitcom tradition.