Yari van der Linden

Flikken Rotterdam takes place in Rotterdam, and is after Flikken Maastricht the second Dutch spin-off of the Flemish show Flikken.

We follow the destructive life of 37-year-old Cat. People around her are worried. Cat is not. Due to a great loss within the family, which is largely not talked about, there is barely a sense of family left. Her mother IS a panic attack. Her father writes self-help books.

Inspired by a true crime that gripped a whole nation for more than a decade. In the spring of 1999, the body of a 16-year-old girl was found on the outskirts of a small village in The Netherlands, next to an asylum seekers' center. ‘The Hunt’ depicts how the long and frustrating search for the perpetrator confronted the inhabitants and asylum seekers of this little Dutch town with xenophobia, racism, and bizarre and persistent conspiracy theories, fueled by social media. The crime remained unsolved for more than 12 years, until an unprecedented use of a large-scale DNA investigation finally solved the case.

Lois Elzinga, a detective with the Alkmaar police, has her very private life come to the fore against the background of three tough cases in this thriller series based on the trilogy penned by Simone van der Vlugt.

The story of Dirty Lines starts in 1987's Amsterdam, at a time when Dutch society was changing rapidly. Psychology student Marly Salomon takes on a side job working for a brand new firm: Teledutch - a company started by two brothers, Frank and Ramon Stigter, who established Europe’s first erotic telephone lines. Frank and Ramon become rich overnight and Marly finds herself immersed in this wild and rapid transformation. The final years of the Cold War sparked a sense of hope and inspired a new generation to celebrate life to its fullest. Amsterdam became the center of that cultural revolution with a radically new form of music: house and a new love drug: XTC. The erotic phone lines offer the opportunity to experience anonymous sex in a new way, changing the morality of its consumers, but also very much the people creating it.

In 'Rest and Joy', we follow Emma, a city woman, who after the unexpected loss of her husband Thomas discovers that he, after a years-long waiting list, has been granted a garden at the Rust & Joy community garden complex. Although she hates gardening, she decides to accept the garden anyway to fulfill Thomas's dream and not have to let him go for a while yet.

Emma is certain she's happy. She has a successful career, a loving boyfriend, wonderful parents, and is talented, funny, and smart. Until she unexpectedly and 'voluntarily' ends up in the psychiatric ward of a hospital. A short circuit? A burnout? She thinks this must be a huge mistake. Because she's a perfectly normal person. Right?

Babasıyla yaşadığı bir anlaşmazlığın ardından genç bir adam, kripto para biriminin cazibesine ve bir girişimcinin finansal özgürlük konusundaki cüretkar vaatlerine kapılır.

Christmas Eve. Finally, a few days off after the busiest time of the year. For a while, everything revolves around cozy gatherings by the Christmas tree, enjoying a lavish Christmas dinner, unwrapping presents, and eating Christmas cookies. But not for everyone; for the emergency room staff, work never stops. The hospital doesn't have a pause button to relax. On Christmas Eve, the night shift has only just begun for Lily, Ben, Yannick, and Shanti. Even though they're certainly not there for fun, the world outside the hospital walls has little to offer. They've all fled Christmas Eve. To prevent worse from happening.

Fortysomething high school teacher Edwin is a cringy control freak and a total pushover. His wife left him, his daughter Bobbie doesn’t want to be seen with him and at work he is bullied by both his colleagues and students. When one day headmaster Glenda shatters Edwin’s dream to become vice principal, deeming him unqualified due to his ‘stunning lack of authority', Edwin realizes things need to change. Foul-mouthed gym teacher and alpha-man-child Peter is more than willing to offer some help, but has a way of making things worse beyond imagination.