Cidinha Milan

Malhação is a Brazilian television series for the teenage audience. The soap started in 1995, and was set in a fictional Gym Club called Malhação on Barra da Tijuca, Rio de Janeiro. Through the years the location varied slightly. Although the name of the soap remains the same, it is now set in the Múltipla Escolha High School.

In 1970, during a glittering New Year's Eve party attended by the aristocracy, a young pantry maid named Zaíra is mysteriously murdered. Thirteen years later, the prime suspect—Gastão, a humble waiter and former colleague of the victim—seeks to prove his innocence with the help of his son, Nil, becoming entangled in the lives of the other party guests. The story also follows a cunning pair of jewel thieves: the sophisticated Antônia Regina and João Maria—a criminal lawyer and member of the declining aristocracy who takes up the cause of Nil's father.

Eloá and Osmar's marriage is thrown into crisis when a mysterious man crosses their path. With a thirst for prestige and power, Eloá will face the consequences of her ambition.

Karin, Magali and Luna are three call girls, who decide to apply some marketing knowledge on the world's oldest profession.

Uma Rosa com Amor is a Brazilian telenovela produced and broadcast by SBT from March 1 to August 16, 2010. It is a remake of the 1972 telenovela of the same name originally produced by TV Globo, created by Vicente Sesso. Adapted by Tiago Santiago, with collaboration from Renata Dias Gomes, Miguel Paiva, Maria Cláudia Oliveira, and Solange Castro Neves, and directed by Del Rangel and Luiz Antônio Piá, the telenovela stars Carla Marins, Cláudio Lins, Jussara Freire, Edney Giovenazzi, and Betty Faria. The story follows Serafina Rosa Petroni, a humble and romantic secretary who dreams of finding true love. After entering into a marriage of convenience with Claude Antoine, a French businessman, to help him solve his problems with Brazilian bureaucracy, the two begin a complicated relationship. Between misunderstandings, family conflicts, secrets, and differences in social background, they discover that a relationship built on an agreement can turn into genuine love.

Sisters Cotinha, Das Graças, Rosário, and Dorzinha work as domestic servants in Rio de Janeiro and face difficulties in their struggle for a better life.

The story takes place in São Paulo, in the late 1920s, and has Mariano's memories as its starting point. Orphaned, he loses the aunt who raised him and ends up in Madame Iara's brothel, where he meets two people who transform his life: Esmeraldo, a gigolo who loves the good life who becomes his master; and the prostitute Guadalupe, known as Lu, a sweet and extremely sensual woman. Esmeraldo is Lu's boyfriend, whom he loves unconditionally. Mariano enters the couple's lives and ends up falling in love with her, thus forming the love triangle that drives the entire narrative.

Donato Menezes, a renowned art restorer from Copacabana is also a serial killer obsessed with women in their bridal gowns. His crimes follows the same pattern: he seduces and then kills the victim during the sexual act, always when they're wearing the gown.

The miniseries is set in the late 1920s and tells the story of traveling salesman Quequé, who maintains three families in different fictional cities in the Northeast. Eleuzinha, from Nova União, in Pernambuco, is her husband's inseparable companion, with whom she has four children: Iraíldes, Maninho, Laide and Lili. It is with Eleuzinha that Quequé feels at ease, exercising his more liberal side.

A$$untina of the Amerikas is a musical comedy of a prostitute that, in 24 hours, wakes up, fights her mother, puts her son in anarchy, has a date with Santa Claus, a blue bear and two girlfriends. Then she finally meets her old millionaire lover. They spend their time to talk about everyday life and make love. Based on the novels of Fernando Henrique Cardoso and Wilhelm Reich.

On the eve of her wedding, Glorinha finds herself looking back at her life and confronting the injustices, sexual perversions, adultery and crimes that are hidden under the happy bourgeoise facade.