Marta Vítů

They think as Czechs, they speak as Czechs, but they look as Vietnamese. How is the second generation of Vietnamese people in Europe?

The anatomy of a relationship between an inexperienced high school student and a grown man, a pilot. Their unexpected rapprochement soon runs into the misunderstanding of the family and the initial infatuation is replaced by a gradual cooling.

A massive segment of the Sun has broken off and is heading for Earth, whose surface is slowly heating up to an unbearable level. A strange mood pervades a debilitated world: anything could happen, virtually anywhere, without warning. Even in a sleepy town, where an 18-year-old lad gets stranded on his way to the family cottage. The fact is that no-one knows at what temperature the human character starts to melt...

An original story told by Uncle Igor, a son of Russian aristocrats, and his nine year old grandson Tonda. A powerful story of complicated times around 1968, a story full of contrasts: Whether it is the relation between what Grandpa's plentiful life entails and Tonda's imminent children's presence, or between poetry and fine humor and dramatic situations of military occupation. Or generally between everyday worries of a person and the pressure of great history. On grandpa's life story, mapping a big part of the 20th century traumas, one can see how much an individual's fate depends on the movement and changes of history. And how much one can defy it and maintain inner firmness and integrity. Or perhaps just dear life.

A Czech-French existential tragicomedy. Its (anti)hero is a young man named Andrej (played by Filip Topol, leader of the Czech underground band Psí vojáci). The story turns on his fateful love for the powerfully attractive though superficial Kristyna (Markéta Hrubesová).

A story inspired by true events, the fate of a multiple juvenile murderer, takes place in an apprentice boarding school. "A series of sexual murders! A real case that could happen again at any time."

The episodic film MARBLES consists of several short stories about how women manipulate with men. About subtle blackmailings, about crying, about tears, about the ability to sacrifice oneself for a dream, about sex as a service, about the way we can use empathy. It all starts on the playground among children and death does not equal the end. As time goes by, a feminine mechanism of manipulation develops, shapes up, ripens until it reaches the stage of perfection. Individual short stories take place at a techno party as well as in a Catholic parsonage and they conclude in a content domestic routine of two old people which cannot be disrupted by anything – not even by death. The short stories about women of different age and lifestyle put together a story of one complete human life which was, thanks to the manipulation with others, lived according to the plan and at the same time and from the same reason wasted away.

Gerçek karakterleri ve olayları anlatan ve akıllarda yer eden bir drama. 1969’un Ocak ayında Çek Jan Pallach, Sovyetlerin işgalini ve kısıtlamalarını protesto etmek için kendini ateşe verir ve akabinde Prag Baharı yaşanır. Palach'ın kahramanca hareketinin temelini oluşturan bu korkunç tarihi an, tutku dolu harika bir mini dizide tüm gerçekliğiyle tekrar canlandırılıyor. Genç bir kadın avukat olan Dagmar Buresova Pallach'ın ailesini, Çekoslavakya'nın bağımsızlığı adına yapılan bu kahramanca hareketi onursuz bir davranış gibi göstermeye çalışan komunist hükümete karşı, mahkemede savunarak onun mirasının bir parçası haline geliyor. Dünyaca tanınmış Polonyalı Yönetmen Agnieszka Holland ve yazar Stephan Hulik, Palach'ın meydan okuyan bu kahramanca hareketinin Çek toplumunda bir çığ gibi büyüyen etkilerinin ve karşı tepkilerinin izini sürüyor.