Yiyo Alonso

Profesyonel bir basketbol takımının yardımcı koçunun, mahkemenin verdiği 90 günlük zorunlu hizmet cezası süresince, zihinsel engelli oyunculardan oluşan bir basket takımını eğitmesinin hikayesi. Eşiyle anlaşamayan ve bir sürü problemi olan kahramanımız, başlangıçta bu işi ciddiye almayacak ve sıyırmaya çalışacaktır. Zaman ilerledikçe birbirine ısınan ve karşılıklı korkularını yenen koç ve oyuncuların sıcacık oyunculukları ile tertemiz bir komedi, aynı zamanda biz insanlara ders niteliği taşıyor.

Madrid 1940. General Franco ve askerleri iktidarı ele geçirmiş, ancak bununla yetinmeyip düşmanlarını tamamen silmek istemektedir. Direnişi destekleyen kadın erkek herkes merhamet gösterilmeksizin avlanacaktır. İspanya her köşesiyle bir hapishaneye dönüşmüştür. Kadınlar hapishanesi Ventas böyle mahkûmlarla doludur; özgürlük için savaşmış kadınlar şimdi baskıya, işkenceye ve ölüme maruz kalmaktadır. Hikâyemiz böyle feci bir kaderi paylaşan bir grup kadını anlatıyor. Diktatörlüğün korkunç anılarını biz de tüm zalimliğiyle hamile mahkûm Hortensia ve kız kardeşi Pepita’nın mücadelesi üzerinden anımsıyoruz.

Kafa dağıtmak için bir gece kulübüne giden polis müfettişi Santos Trinidad, çıkan kavgada barda bulunan üç kişiyi öldürür. Ancak olaya tanıklık eden bir adam kaçar. Tüm delilleri ortadan kaldıran Santos, kaçan adamın peşine düşer. Santos yakayı ele vermeden bu işten sıyrılabilecek midir?

Juanjo (Antonio Pagudo) is a forty-year-old man who, despite not having low self-esteem due to his baldness, his wife, Inma (Eva Ugarte), obsessed with image and aesthetics, is in charge of making him complex about it. On the other hand, his friend Sebas (Carlos Librado "Nene") is affected by his lack of hair and is willing to do whatever it takes to regain his younger version, something that affects his ex-wife, Sofía (Amaia Salamanca) , and their daughters. Ready for anything, both get into a little trouble to get the money to allow them to travel to Turkey and have a hair transplant. In Istanbul they meet Rayco (Tomy Aguilera), a young reggaeton singer who is having great success, but after discovering his alopecia at a concert, he needs an urgent hair transplant. In this way, the three of them will try to seek happiness through aesthetics, but perhaps they will discover that there is something far beyond the physical.

Makey is a humble police officer that, unexpectedly, gets caught in the middle of a dangerous international drug operation in the Costa del Sol, Spain.

In the effervescent Spain of the 80s, Xavi Font, an artistic misfit, together with his friend Lurdes Iribar and her lover Manolo Arjona, founds Locomía. Although he achieves success, he also experiences the dark reality of the industry at the hands of powerful producer José Luís Gil.

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

A caustic satire of many of the 'types' found in Spanish society.

In 1970, the fishing village of Batuel is devastated by the shipwreck of a vessel carrying several local men; none of them are found. Two years later, five of the fishermen—previously presumed dead—reappear, sending shockwaves through the entire village. Yet, alongside the joy of their survival, their return also brings to light conflicts and secrets that were thought to be buried.