Alex Proyas
Yönetmen · d. 1963 · Alexandria, Egypt
Alexander "Alex" Proyas (born 23 September 1963) is an Australian filmmaker. He is best known for directing the films The Crow (1994), Dark City (1998), I, Robot (2004), Knowing (2009), and Gods of Egypt (2016).
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FilmBelgeselBeginning with an introduction to the creation of the story, this featurette delves into all facets of the production of 1998's Dark City, and eventually provides a ten minute discussion of the film's reception. A retrospective that runs the gamut of the cast and crew's experiences on the film. We get a look at some storyboards, hear about weirding out the MPAA, and see star and amateur shutterbug Rufus Sewell present the many photos he took on the set.
FilmBelgeselA short documentary about the making of the movie "Knowing (2009)".
Film9.0BelgeselDocumentary about Dark City featuring interviews with director Alex Proyas, producer Andrew Mason, production designers Patrick Tatopoulos and George Liddle, costume designer Liz Keough, storyboard artist Peter Pound, director of photography Dariusz Wolski, actor Rufus Sewell, hair & makeup artist Leslie Vanderwalt and VFX creative director Peter Doyle.
Return to Dark City
2025 · 1 votes
FilmBelgeselIntriguingly unpacks various meanings of the film. The feature presents five perspectives on Dark City: "A Postmodern Film" (Lem Dobbs), "Identity Theft" (UCLA professor Vivian Sobchak), "Worlds Constructed" (NYU professor Dana Polan), "Cities as Spectacle & Collective Memories" (Lem Dobbs and Roger Ebert), and "Memoirs of My Nervous Illness by Daniel Paul Schreber" (Alex Proyas and Rosemary Dinnage)
FilmBelgeselPrompt: Make a Documentary investigates the growing influence of artificial intelligence on the film industry. The documentary places the rise of AI within the broader historical context of cinema’s evolution, drawing parallels with earlier technological shifts such as the introduction of sound, colour, and digital visual effects. By revisiting landmark moments in film history, the film demonstrates that disruption has always been part of cinema’s DNA, while questioning whether AI represents a fundamentally different kind of change. Featuring insights from directors, academics, and practitioners, Prompt: Make a Documentary explores the tension between innovation and integrity, the democratisation of creative tools, and the ethical implications of automation in the arts. The film ultimately asks whether artificial intelligence will empower the next generation of storytellers or redefine creativity itself.