Barbara Nüsse

The ensemble film THE GENITAL WARRIORS takes a look at the common past of the three main characters as their memories meet and overlap. The 70-year-old Frank sits in a geronto-psychiatric ward and types a screenplay about his relationship with Lena and Barbara. These two embittered women come together with a magic wand and a shotgun to travel to the past and commit an act of revenge on him.

The two washed-up TV stars Micki and Ginger and the unemployed physicist Reno try to kidnap a young woman. But one of the three kidnappers suddenly doubts the value of the money and drives his accomplices mad. The kidnapped woman is already missing. Three children from a good family are looking for their sister: the dutiful Junior, who counts up his day in seconds, his brother Adrian, who, by contrast, thinks life is one big family outing, and Sophia, the artist, who never finds the real thing in life.

Based on the bestselling biography: Entertainer Horst Lichter has barely had time to relax on his holiday when his mother calls him. In her own dry way, she tells him that she has been diagnosed with cancer and that things are not going well for her. Immediately Horst returns to his hometown with his wife Nada. Returning home brings back childhood memories - of a loving father and a mother who held the reins firmly in difficult situations. Horst tries his best to support his mother Margret - he organises doctor's appointments and tries to provide a little variety into her daily life, even though the relationship between mother and son has been strained for a long time: he counters his mother's edgy, frosty manner as he had learned to do when he was young. He emphasises the positive side of any situation and is always ready to respond with a snappy retort. When Margret learns how serious her illness really is, Horst begins to rethink his own life as well.

A recalcitrant, low-energy boy causes problems for both his stepfather and his biological father.

After suffering from burnout syndrome and a hospital stay, an architect returns to his family. His wife and the children from their marriage as well as their respective previous marriages are largely considerate, but “normal” life takes its toll: While his wife is in danger of losing her job at the employment office and his business partner runs off with a large sum of money, the pubescent children and aging grandparents demand increased attention.

1934, Hamburg. Adolf Hitler is about to visit the city. Hamburg's executioner falls ill, and is unable to deliver the sentence of four communists who are awaiting capital punishment in jail. Fearing that this would spoil Hitler's visit, SS leader Footh offers a local bankrupt butcher, Albert Teetjen, 2,000 Marks in order to carry out the verdict. The broke Teetjen agrees and follows suit. When his neighbors hear of the execution, they shun him. His wife cannot tolerate her husband's deed and puts an end to her life. Eventually, Teetjen also commits suicide.

Married couple Martin and Jackie meet an unconventional Frenchman named Serge, who both are attracted to. But will their marriage survive it?

In addition to demonstrating the unexpected complexities of individual life paths, THE WILD establishes the possibility of “cinematic space” becoming a type of “third space”. Two seemingly contrasting spaces merge to construct a new space. The first space is the living room of a retired couple. The second space is embodied in Super 8 recordings filmed by the old man during his numerous trips to Africa and Asia during the 60s, 70s, 80s and 90s. The pictures show exotic animals which are projected directly onto the walls and furniture of the house. The assembly of these differing spaces does not create a more succinct boundary between them, but rather assists in the mingling of the two spaces. In this fleeting moment of third space, as it is limited by time, a new cinematic reality is formed.

In the center of Hamburg, the discovery of an unexploded bomb from the Second World War not only leads to a far-reaching evacuation, but also to an interpersonal state of emergency.

"Meeting place at Infinity" - Combines interviews with family members, contemporary witnesses, experts and critics, text passages as well as photo and film material with staged film scenes. The result is a portrait of the writer, his family and his time.

Living and loving in a small village in the south of Germany. People and their conflicts with morality, manners, and society.

Hilla grows up in the 60s, her father is a worker and her mother a charwoman. But she wants a different future for herself, wants to study. After a violent incident she needs a strong shoulder. Who of her life will do?

Diziye konu olan olaylarda hep tanıdık temalar hakim. Almanya’da gündelik yaşamı etkileyen ya da geçmişte etkilemiş olan her konu, dizide ele alınıyor ya da alındı: Almanya’nın birleşmesi, terör, organ ticareti, küreselleşme, ırkçılık, uyuşturucu kullanımı, çevre skandalları, çocuk istismarı, işsizlik, sanayi suçları, yaşlı bakımıyla ilgili sorunlar, ya da eş bulma hizmetleri. Gerçek yaşamdakinden farklı olarak, toplumsal ayrılıklar “Tatort”ta her zaman çözülmese de, cinayetin faili her zaman bulunuyor ve pazar akşamı herkes yatağına huzur içinde gidiyor. Edebiyatbilimci Jochen Vogel’in sözleriyle “Tatort, Alman toplumunu anlatan bir roman.”

A police department, lead by an older, experienced detective solve crimes together.

The SOKO Köln investigates the cathedral city with humor and often with hard work. Their cases take them into a variety of environments, from the Cologne clique to the terraced housing estates on the outskirts of the city.

Bir çocuğun kaybolması, dört aileyi hummalı bir cevap arayışına iter. Bu arayışları, üç nesli kapsayan akıl almaz bir gizemi ortaya çıkarmalarına neden olur.

Follow the everyday work of a fictional police station on the Kiez of Hamburg.

Die Pfefferkörner is a German television series produced by Der Kinderkanal. The peppercorns are five friends from Hamburg: Jana Holstein Coutre, Natasha "Tascha" Jaonzäns, Philip "Fiete" Overbeck, Cem Gülec and Vivien "Vivi" Overbeck, Fiete's eight year old sister. After school, the young detectives meet at a high level of a spice warehouse of the company Overbeck & Associates, which belongs to Fiete and Vivi's parents in the first part, but is later given to Fiete and Vivi to look after. Here, in the historic warehouse district, the five friends have their headquarters. With smarts, combined delivery and support of the Internet, they find their cases here. The detectives convict polluters, animal dealers and drug smugglers. They also help each other with personal problems they encounter. Cem has lost his parents in a car accident and sometimes feels sad and lonely. Jana lives with her divorcee mother, a lawyer who is rarely at home. Natasha comes from Latvia. Her parents initially have very strict rules in terms of her education, that make Natasha unhappy. Fiete has problems showing his feelings and hides them behind grumpiness and hostility towards girls, until he falls in love with Natasha. Vivi is suffering from her role of the youngest member of the group. She believes that she must constantly struggle for recognition.

Bella Block is a long-running German detective television series starring Hannelore Hoger, first broadcast in 1994 on ZDF. In 2010 the 30th series was produced.

Mord mit Aussicht is a German satirical crime comedy television series, produced by ARD, following the adventures of Sophie Haas, a detective from the city that takes a job in the fictional country village of Hengasch. Much of the humour of the series derives from the clichés of both city and provincial lives, in a similar manner to the English comedy crime series Midsomer Murders.

Heiko Schotte (Schotty) works for a cleaning company, cleaning all kind of crime scenes. There he sometimes meets weird people and tries to solve difficult situations.

Ein Herz und eine Seele is a German cult sitcom based on the British sitcom Till Death Us Do Part by Johnny Speight. The show premiered on January 15, 1973 and lasted for about twenty episodes, airing its last on November 4, 1974. In 1976, the show had a short-lived revival with another four episodes. Ein Herz und eine Seele was written by Wolfgang Menge. The show was extremely successful during its initial run and it still proves very popular in reruns. Two episodes in particular, Silvesterpunsch and Rosenmontagszug have gained such popularity that they are now shown traditionally on German TV on New Year's Eve and Rosenmontag, respectively.