Galina Mamchistova

The hero of the film, Mark, the last of the old Jewish family living in Russia and then in the USSR, emigrates to his historical homeland in the early 90s. Under a formal pretext, before leaving, Mark literally comes to the small town where his childhood was spent for one day.

In the center of the plot is a senior investigator named Masha Shvetsova and her male colleagues. The plot is the most vital, but, like in “Streets of Broken Lanterns,” it is seasoned with a fair amount of humor - otherwise, how can the audience (and the heroes) endure countless morgues, identifications and other “cute” charms of the investigative routine?